Commentary on Psalms Volume 2 John Calvin
JOHN CALVIN
and marshalling forth his armies. Accordingly, it is added, in the sanctuary, under which expression there is an apt allusion to the visible symbol of the Divine presence. The great reason why God undertakes the guardianship of his people, and goes before them to repel the attacks of the enemy, is his having promised that he will hear their prayers in the sanctuary. He is therefore described as if he were seen coming out of his holy habitation, that he might conduct his people to victory. David calls him his King, to divert the attention of the people from himself, and lead them to view a name which belonged to a frail mortal man such as he was, in its higher application to the supreme Head of all. He speaks, it is true, in the name of the people, but not to the exclusion of himself.
Psalm 68:25-27
25. The singers went before, the players on instruments followed after; in the midst were the damsels playing with timbrels. 528 26. Bless ye God in the congregations, even the Lord, O ye who are of the fountain of Israel! 27. There is little Benjamin their ruler, the princes of Judah in their assembly, the princes of Zebulun, and the princes of Naphtali.
25. The singers went before It is evident that he does not now speak of an army in battle array, but of a solemn assembly held for offering up thanksgivings to God for victory. God had openly shown that he was their leader in war, and to him the song of triumph is with propriety addressed. Mention is made of distinct choirs employed in his service, and particularly of such as played upon the timbrel; for, absurd as the practice may appear to us, it was then customary for the women to play upon that instrument. By the fountain 529 from which they are called upon to bless God, some understand the heart, as it is known that those praises which proceed from the lips merely, and are hypocritical, meet with the Divine reprobation. But I conceive the true meaning to be, that all are summoned to praise the
"The musical instrument here rendered 'timbrels' was a sort of small drum, carried in the hand, (Exodus 15:20,) and played on by beating with the hand or fingers, as is probable from Nahum 2:7. It was used both on civil and religious occasions; and is often mentioned, as here, to have been beaten by women, but was sometimes played on by men. It was very like, if not the same kind of instrument as the modern Syrian diff, which is described by Dr Russell as 'a hoop, (sometimes with bits of brass fixed in it to make a jingling,) over which a piece of parchment is distended. It is beat with the fingers; and is the true tympanum of the ancients, as appears from its figure in several relievos representing the orgies of Bacchus, and the rites of Cybele. It is worth observing, that, according to Juvenal, the Romans had this instrument from Syria.' Niebuhr also has given us a similar description, and a print of an instrument which, (according to his German spelling,) he says, they call doff: He informs us that they 'hold it by the bottom, in the air, with one hand, while they play on it with the other.' The Oriental diff appears to be very like what is known to the French and English by the name of tambourine." — Mant.