Commentary on Psalms Volume 3 John Calvin (continued)
JOHN CALVIN
742 on the timbrel 743 and the harp let them sing psalms to him. 4. Because Jehovah hath taken pleasure in his people; he will glorify the poor unto salvation.
1. Sing to Jehovah a new song. This exordium proves what I have just said, that the exhortation now given is addressed only to God's people; for the singular goodness which is particularly extended to them affords more ample matter of praise. The probable conjecture is, that the Psalm was composed at the time when the people were begun to rejoice, or after they had returned to their native country from the Babylonish captivity. We will see from the context that a promise is given of recovery from their ruined condition. The object, I think, of the Psalmist, is to encourage them to expect the full and complete deliverance, some prelude of which had been suddenly and unexpectedly given in the permission to return. As the Church was not fully restored at once, but was with difficulty and only after a long period brought to a state of vigor, comfort such as this was much needed. The Spirit of God would also furnish a remedy for evils which were afterwards to break out; for the Church had scarcely begun to respire when it was again harassed with various evils, and oppressed by the cruel tyranny of Antiochus, which was followed up by a dreadful dispersion. The Psalmist
In our English Bible it is in the text, "in the dance;" and on the margin, "or with the pipe."מחולmachol, the Hebrew word employed, is often in our authorized version rendered "dance"; but this is not its meaning. It denotes, as Parkhurst states, "some fistular wind instrument of music, with holes, as a flute, pipe or fife, from,חלchal to make a hole or opening." "I know no place in the Bible." Says Dr. Adam Clark, "where ,מחולmechol, and,מחלתmechalath, mean dance of any kind; they constantly mean some kind of pipe."
The Hebrew name for this kind of this musical instrument is,תףtoph. The timbrel, tympanum, or tambourine, was used chiefly by women, and was employed in choral dances, or occasions of religious or festal processions. Thus we read in Exodus 15:20, 21, "And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and dances. And Miriam answered them, Sing ye to the Lord, for he hath triumphed gloriously; the horse and his rider hath he thrown into the sea." The principle of the,פףtoph, or timbrel was that of a prepared skin stretched upon a hoop or frame. There were various kinds or forms of this instrument. "Our common tambourine, with small cymbals inserted in the frame, also appears in some paintings, [of Egyptian and European antiquity,] and is now very common in Western Asia. We are told that the frame was either of metal or wood and that the ass's skin was usually employed for the covering. They were not always played by the naked hand; but were sometimes struck with small batons, or with a knotty whip with many thongs, instead of which, on particular festivals, a sprig of some tree or plant, considered suitable to the occasion, was sometimes employed." — Illustrated Commentary upon the Bible. The timbrel is evidently of oriental origin. From the reference to it in Genesis 31:27, where תףis translated "tabret," we learn that it was known in the time of Jacob, that is, ages previous to the existence of the great European nations of antiquity; and both the Greeks and Romans confessed that their instruments of this class were derived from Egyptians and Syrians. See volume 3