Commentary on Psalms Volume 3 John Calvin (continued)
JOHN CALVIN
9. O God! I will sing a new song to thee: upon the nablum, upon the psaltery, 706 I will sing psalms to thee. 10. Giving salvation to kings, delivering David his servant from the hurtful sword. 11. Deliver me, and rescue me from the hand of the sons of the stranger, whose mouth hath spoken falsehood, and their right hand is a right hand of deceit.
9. O God! I will sing a new song to thee. He again sets himself, with self-possession, to the exercise of praising God, not doubting but he would continue those mercies which he had once bestowed. I have taken notice in another place that by a new song is meant one of a singular or uncommon kind; and we are left from this to infer that David's expectations stretched beyond the conclusions of man's judgment; for, with a view to the greatness of the help to be extended, he promises a song of praise unprecedented in its nature, and distinguished, by the title here applied to it, from ordinary thanksgiving's. As to the nablum and psaltery, I have elsewhere observed that they formed part of that system of training under the law to which the Church was subjected in its infancy. But the chief thing to be noticed is the subject of his songs that God, who is the preserver of kings, had kept — and even rescued from the sword — David, whom he had made and anointed king by his authoritative decree. As to the idea of there being implied in the term kings an opposition to the commonalty, David meaning that not only the common class of people are indebted to divine preservation, but the more influential, and such as appear to have sufficient and abundant strength of their own, I question whether it be well founded. His meaning
In the French version it is — "Upon the psaltery, and upon an instrument of ten strings." It is evident that Calvin supposed two instruments to be here mentioned. This, however, has been doubted. The rendering in the Hebrew text is —,עשור בנבלbenebel asor, "with a nobel (or psaltery, as the term is translated in our English Bible) ten (stringed)." Thus only one musical instrument may be indicated — "the psaltery of ten strings." In Psalm 33:2, we read similarly,,עשור בנבלbenebel asor, "with the psaltery ten (stringed)." In Psalm 42:3, however, nebel and asor are represented as two distinct musical instruments. We there read,עליא-ועלי עשור-,נבלale-asor veale-nabel, "upon the asor or ten (stringed instrument), and upon the nebel or psaltery." But whatever inference may be drawn from the independent exhibition of asor in that text, yet in the passage before us, and in Psalm 33:2, if we may judge from the construction, it seems rather to represent the number of strings of the common nebel or psaltery, or a particular variety of that instrument, than to be a distinct musical instrument. With respect to the Hebrew nebel from which comes the ναβλος; of the Greeks, and the nablum of the Latins, our information is very limited and indistinct. It is supposed to have been a stringed instrument of the harp or lyre kind, and appears to have been of the triangular form. As it is not noticed in Scripture earlier than the days of David, it is not considered of equal antiquity with some other musical instruments. It was formed of precious wood, as we learn from 1 Kings 10:12, and ultimately, according to Josephus, of that species of precious mixed metal called electrum. From its being never mentioned in the Sacred Writings, except in connection with the worship of the sanctuary, it has been conjectured that it was not used in private, and that it was probably larger, and more costly, than other instruments of a similar kind. Josephus says that it was played upon with the fingers, and had twelve strings. The number of strings may, however, have varied according to circumstances.