List of Works Cited
LIST OF WORKS CITED
What follows is precisely that, not an inclusive bibliography of studies relevant to Dante or even to his Inferno, which alone would be voluminous. Abbreviated references in the texts of the notes are keyed to this alphabetical listing. For those interested in the general condition of Dantean bibliography, however, a few remarks may be helpful.
Since an extended bibliography for the study of Dante includes tens of thousands of items, those who deal with the subjects that branch out from the works of this writer are condemned to immoderate labor and a sense that they are always missing something important. While even half a century ago it was possible to develop, in a single treatment, a fairly thorough compendium of the most significant items (e.g., S. A. Chimenz, Dante, in Letteratura italiana. I maggiori [Milan: Marzorati, 1954], pp. 85–109), the situation today would require far more space. Fortunately, the extraordinary scholarly tool represented by the Enciclopedia dantesca, dir. U. Bosco, 6 vols. (Rome, Istituto della Enciclopedia Italiana, 1970–78—henceforth ED) has given Dante studies its single most important bibliographical resource, leaving only the last quarter century—which happens to be the most active period in the history of Dante studies—uncovered. However, for the years 1965–90 Enzo Esposito has edited a helpful guide, Dalla bibliografia alla storiografia: la bibliografia dantesca nel mondo dal 1965–1990 (Ravenna: Longo, 1995). A closer analysis of a shorter period is available in “Bibliografia Dantesca 1972–1977,” ed. Leonella Coglievina, Studi Danteschi 60 (1988): 35–314 (presenting 3121 items for this five-year period). The bibliography in ED, vol. 6, pp. 499–618 (a length that gives some sense of the amount of basic information available), contains ca. 5000 items and is of considerable use, breaking its materials into convenient categories. (Its bibliography of bibliographies alone runs six double-column pages, pp. 542–47.) The ED also, of course, contains important bibliographical indications in many of its entries. A major new English source for bibliographical information has recently been published: The Dante Encyclopedia, ed. Richard Lansing (New York: Garland, 2000).
In the past dozen years, Dante studies, perhaps more than any other post-classical area of literature, has moved into “the computer age.” There is a growing online bibliography available, developed from the bibliography of American Dante studies, overseen by Richard Lansing for the Dante Society of America, which includes a growing number of Italian items (http://www.princeton.edu/~dante). Some seventy-one commentaries to the Commedia are now available through the Dartmouth Dante Project (opened 1988), still best reached via Telnet (telnet library.dartmouth.edu; at the prompt type “connect dante”), but soon to be available on the Web as well. There is also the new Princeton Dante Project (http://www.princeton.edu/dante), a multimedia edition of the Commedia (open to public use since 1999) overseen by Robert Hollander, which also functions as an entry point to most of the many Dante sites on the Web, perhaps most notably that established and maintained by Otfried Lieberknecht in Berlin, which is a source of an enormous amount of information about Dante in electronic form, and, in the autumn of 2000, the site being developed by the Società Dantesca Italiana (www.danteonline.it).
LIST OF WORKS CITED IN THE NOTES
Aher.1982.1
Ahern, John, “Dante’s Slyness: The Unnamed Sin of the Eighth Bolgia,” Romanic Review 73 (1982): 275–91.
Aher.1982.2
Ahern, John, “Apocalyptic Onomastics: Focaccia (Inferno XXXII, 63),” Romance Notes 23 (1982): 181–84.
Ales.1993.1
Alessio, Gian Carlo, and Claudia Villa, “Per Inferno I, 67–87,” in Dante e la “bella scola” della poesia: Autorità e sfida poetica, ed. A. A. Iannucci (Ravenna: Longo, 1993 [1984]), pp. 41–64.
Alsa.1977.1
Al-Sabah, Rasha, “Inferno XXVIII: The Figure of Muhammad,” Yale Italian Studies 1 (1977): 147–61.
Armo.1983.1
Armour, Peter, “Dante’s Brunetto: The Paternal Paterine?” Italian Studies 38 (1983): 1–38.
Armo.1991.1
Armour, Peter, “The Love of Two Florentines: Brunetto Latini and Bondie Dietaiuti,” Lectura Dantis [virginiana] 9 (1991): 60–71.
Auer.1954.1
Auerbach, Erich, “Dante’s Addresses to the Reader,” Romance Philology 7 (1954): 268–78.
Auer.1957.1
Auerbach, Erich, “Farinata and Cavalcante,” in Mimesis: The Representation of Reality in Western Literature, tr. W. Trask (New York: Doubleday Anchor, 1957 [1946]), pp. 151–77.
Auer.1958.1
Auerbach, Erich, “Sermo humilis,” in Literary Language and Its Public in Late Latin Antiquity and in the Middle Ages, tr. R. Manheim (Princeton: Princeton University Press, 1965 [1958]), pp. 25–66.
Aust.1932.1
Austin, H. D., “The Submerged (Inf., XX, 3),” Romanic Review 23 (1932): 38–40.
Aval.1975.1
Avalle d’Arco, Silvio, “… de fole amor,” in Modelli semiologici nella “Commedia” di Dante (Milan: Bompiani, 1975), pp. 97–121; 137–73.
Bacc.1954.1
Bacchelli, Riccardo, “Da Dite a Malebolge: la tragedia delle porte chiuse e la farsa dei ponti rotti,” Giornale storico della letteratura italiana 131 (1954): 1–32.
Bake.1974.1
Baker, David J., “The Winter Simile in Inferno XXIV,” Dante Studies 92 (1974): 77–91.
Bald.1978.1
Baldassaro, Lawrence, “Inferno XII: The Irony of Descent,” Romance Notes 19 (1978): 98–103.
Bald.1988.1
Baldelli, Ignazio, “Dante, i Guidi e i Malatesta,” Annali della Scuola Normale Superiore di Pisa, serie 3, 18 (1988): 1067–70.
Bald.1993.1
Baldelli, Ignazio, “Un errore lessicografico: ‘palombaro’ e Gerione palombaro,” in Omaggio a Gianfranco Folena (Padua: Editoriale Programma, 1993), pp. 243–49.
Bald.1997.1
Baldelli, Ignazio, “Le ‘fiche’ di Vanni Fucci,” Giornale storico della letteratura italiana 174 (1997): 1–38.
Bald.1998.1
Baldelli, Ignazio, “Dante e Ulisse,” Lettere Italiane 50 (1998): 358–73.
Bara.1981.1
Bara´nski, Zygmunt G., “Inferno VI.73: A Controversy Re-examined,” Italian Studies 36 (1981): 1–26.
Bara.1993.1
Bara´nski, Zygmunt G., “Dante e la tradizione comica latina,” in Dante e la “bella scola” della poesia: Autorità e sfida poetica, ed. A. A. Iannucci (Ravenna: Longo, 1993), pp. 225–45.
Bara.1995.3
Bara´nski, Zygmunt G., “The Poetics of Meter: Terza rima, ‘canto,’ ‘canzon,’ ‘cantica,’ ” in Dante Now: Current Trends in Dante Studies, ed. Theodore J. Cachey, Jr. (Notre Dame: University of Notre Dame Press, 1995), pp. 3–41.
Bara.1997.1
Bara´nski, Zygmunt G., ed., Seminario Dantesco Internazionale: Atti del primo convegno tenutosi al Chauncey Conference Center, Princeton, 21–23 ottobre 1994 (Florence: Le Lettere, 1997).
Barb.1934.1
Barbi, Michele, Problemi di critica dantesca (Florence: Sansoni, 1934).
Barb.1934.2
Barbi, Michele, “Ancora sul testo della Divina Commedia,” Studi Danteschi 18 (1934): 5–57.
Barb.1972.1
Barberi Squarotti, Giorgio, “Inferno, XX” [Ateneo Veneto 1965], in L’artificio dell’eternità (Verona: Fiorini, 1972), pp. 235–81.
Barb.1972.2
Barberi Squarotti, Giorgio, “L’orazione del conte Ugolino,” in L’artificio dell’eternità (Verona: Fiorini, 1972), pp. 283–332.
Barc.1973.1
Barchiesi, Marino, “Catarsi classica e ‘medicina’ dantesca, Dal canto XX dell’Inferno,” Letture classensi 4 (1973): 9–124.
Barc.1973.2
Barchiesi, Marino, “Il Testo e il Tempo,” Il Verri, ser. V, no. 4 (December 1973): 76–95.
Baro.1984.1
Barolini, Teodolinda, Dante’s Poets (Princeton: Princeton University Press, 1984).
Baro.1992.1
Barolini, Teodolinda, The Undivine “Comedy”: Detheologizing Dante (Princeton: Princeton University Press, 1992).
Baro.1997.1
Barolini, Teodolinda, “Guittone’s Ora parrà, Dante’s Doglia mi reca, and the Commedia’s Anatomy of Desire,” in Seminario Dantesco Internazionale: Atti del primo convegno tenutosi al Chauncey Conference Center, Princeton, 21–23 ottobre 1994, ed. Z. G. Bara´nski (Florence: Le Lettere, 1997), pp. 3–23.
Baro.1998.1
Barolini, Teodolinda, “Canto XX: True and False See-ers,” in Lectura Dantis: “Inferno”, ed. A. Mandelbaum, A. Oldcorn, C. Ross (Berkeley: University of California Press, 1998), pp. 275–86.
Bate.1989.1
Bates, Richard, and Thomas Rendall, “Dante’s Ulysses and the Epistle of James,” Dante Studies 107 (1989): 33–44.
Beal.1983.1
Beal, Rebecca, “Dante among Thieves: Allegorical Soteriology in the Seventh Bolgia (Inferno XXIV and XXV),” Medievalia 9 (1983): 101–23.
Beck.1984.1
Becker, Christopher, “Justice among the Centaurs,” Forum Italicum 18 (1984): 217–29.
Bell.1989.1
Bellomo, Saverio, ed., Filippo Villani, Expositio seu comentum super “Comedia” Dantis Allegherii (Florence: Le Lettere, 1989).
Benf.1995.1
Benfell, V. Stanley, “Prophetic Madness: The Bible in Inferno XIX,” Modern Language Notes 110 (1995): 145–63.
Beno.1983.1
Benoit, Raymond, “Inferno V,” The Explicator 41, 3 (1983): 2.
Bian.1921.1
Bianchi, Enrico, “Le ‘cerchie eterne,’ ” Studi Danteschi 3 (1921): 137–39.
Blas.1969.1
Blasucci, Luigi, “L’esperienza delle Petrose e il linguaggio della Divina Commedia,” in his Studi su Dante e Ariosto (Milan: Ricciardi, 1969), pp. 1–35.
Bloo.1994.1
Bloom, Harold, “The Strangeness of Dante: Ulysses and Beatrice,” in his The Western Canon: The Books and the School of the Ages (New York: Harcourt Brace, 1994), pp. 76–104.
Bors.1957.1
Borst, Arno, Der Turmbau von Babel, 3 vols. (Stuttgart: A. Hiersemann, 1957–60).
Bott.1988.2
Botterill, Steven, “Rereading Lancelot: Dante, Chaucer, and Le Chevalier de la Charrette,” Philological Quarterly 67 (1988): 279–89.
Bott.1990.1
Botterill, Steven, “Inferno XII,” in Dante’s “Divine Comedy”, Introductory Readings, I: “Inferno” (Special issue, Lectura Dantis Virginiana, vol. I), ed. T. Wlassics (Charlottesville, Va.: University of Virginia, 1990), pp. 149–62.
Boyd.1981.1
Boyde, Patrick, Dante Philomythes and Philosopher: Man in the Cosmos (Cambridge: Cambridge University Press, 1981).
Boyd.1993.1
Boyde, Patrick, Perception and passion in Dante’s “Comedy” (Cambridge: Cambridge University Press, 1993).
Brow.1978.1
Brownlee, Kevin, “Dante and Narcissus (Purg. XXX, 76–99),” Dante Studies 96 (1978): 201–6.
Brow.1984.1
Brownlee, Kevin, “Phaeton’s Fall and Dante’s Ascent,” Dante Studies 102 (1984): 135–44.
Brug.1981.1
Brugnoli, Giorgio, “Chi per lungo silenzio parea fioco,” in Letterature comparate: problemi e metodo. Studi in onore di Ettore Paratore, vol. 3 (Bologna: Pàtron, 1981), pp. 1169–82.
Brug.1989.1
Brugnoli, Giorgio, “Le ‘cagne conte,’ ” in Filologia e critica dantesca: studi offerti a Aldo Vallone (Florence: Olschki, 1989), pp. 95–112.
Brug.1993.1
Brugnoli, Giorgio, “Omero,” in Dante e la “bella scola” della poesia: Autorità e sfida poetica, ed. A. A. Iannucci (Ravenna: Longo, 1993), pp. 65–85.
Busn.1922.1
Busnelli, Giovanni, “La ruina del secondo cerchio e Francesca da Rimini,” Miscellanea Dantesca pubblicata a cura del Comitato cattolico padovano per il VI centenario della morte del Poeta (Padua, 1922), pp. 49–60.
Cacc.1966.1
Caccia, Ettore, “L’accenno di Dante a Garda e i versi 67–69 nel canto XX dell’Inferno,” in Dante e la cultura veneta, ed. V. Branca and G. Padoan (Florence: Olschki, 1966), pp. 307–25.
Cacc.1967.1
Caccia, Ettore, “Canto XX,” in “Inferno”: Lectura Dantis Scaligera (Florence: Le Monnier, 1967), pp. 673–724.
Camb.1970.1
Cambon, Glauco, “Synaesthesia in the Divine Comedy,” Dante Studies 88 (1970): 3–5.
Cami.1950.1
Camilli, Amerindo, “La cronologia del viaggio dantesco,” Studi Danteschi 29 (1950): 61–84.
Care.1951.1
Caretti, Lanfranco, Il canto di Francesca (Lucca: Lucentia, 1951).
Care.1951.2
Caretti, Lanfranco, “Una Interpretazione Dantesca,” in Studi e ricerche di letteratura italiana (Florence: La Nuova Italia, 1951), pp. 4–14.
Caro.1967.1
Carozza, Davy, “Elements of the roman courtois in the Episode of Paolo and Francesca (Inferno V),” Papers on Language and Literature 3 (1967): 291–301.
Carp.1998.1
Carpi, Umberto, “I tiranni (a proposito di Inf. XII),” L’Alighieri 39 (1998): 7–31.
Casa.1978.1
Casagrande, Gino, “Dante e Filippo Argenti: riscontri patristici e note di critica testuale,” Studi Danteschi 51 (1978): 221–54.
Casa.1997.1
Casagrande, Gino, “Parole di Dante: il ‘lungo silenzio’ di Inferno I, 63,” Giornale storico della letteratura italiana 174 (1997): 243–54.
Case.1943.1
Casella, Mario, “ ‘L’amico mio e non della ventura,’ ” Studi Danteschi 27 (1943): 117–34.
Cass.1971.1
Cassata, Letterio, “Tre cruces dantesche: I. La ruina dei lussuriosi,” Studi Danteschi 48 (1971): 5–14.
Cass.1981.1
Cassell, Anthony K. “ ‘Ulisseana’: A Bibliography of Dante’s Ulysses to 1981,” Italian Culture 3 (1981): 23–45.
Cass.1984.1
Cassell, Anthony K., Dante’s Fearful Art of Justice (Toronto: University of Toronto Press, 1984).
Cass.1989.1
Cassell, Anthony K., “Il silenzio di Virgilio: Inferno I, 62–63,” Letture classensi 18 (1989): 165–76.
Cass.1989.2
Cassell, Anthony K., Lectura Dantis Americana: “Inferno” I (Philadelphia: University of Pennsylvania Press, 1989).
Cecc.1990.1
Cecchetti, Giovanni, “Inferno XXXI,” Lectura Dantis [virginiana] 6 ([supplement] 1990): 400–411.
Chia.1967.1
Chiari, Alberto, “Canto XXXI,” in Lectura Dantis Scaligera, dir. Mario Marcazzan (Florence: Le Monnier, 1967 [1962]), pp. 1091–1121.
Chia.1984.1
Chiavacci Leonardi, Anna Maria, “Questioni di punteggiatura in due celebri attacchi danteschi (Inf., II 76–78 e X 67–69),” Lettere Italiane 36 (1984): 3–24.
Chia.1985.1
Chiarenza, Marguerite Mills, “Time and Eternity in the Myths of Paradiso XVII,” in Dante, Petrarch, Boccaccio: Studies in the Italian Trecento in Honor of Charles S. Singleton, ed. A. S. Bernardo and A. L. Pellegrini (Binghamton, N.Y.: Medieval & Renaissance Texts and Studies, 1985), pp. 134–35.
Chia.1989.1
Chiappelli, Fredi, “Il colore della menzogna nell’Inferno dantesco,” Letture classensi 18 (1989): 115–28.
Chia.1991.1
Chiavacci Leonardi, Anna Maria, Inferno, con il commento di A. M. C. L. (Milan: Mondadori, 1991).
Chia.1998.1
Chiamenti, Massimiliano, “Due schedulae ferine: Dante, Rime CIII 71 e Inf. XVI 45,” Lingua nostra 59 (1998): 7–10.
Chie.1998.1
Chierichini, Claudia, “La III Satira di Persio ‘fra le righe’ di Inferno XXVI,” L’Alighieri 11 (1998): 95–103.
Ciof.1937.1
Cioffari, Vincenzo, “A Dante Note: Heliotropum,” Romanic Review 28 (1937): 59–62.
Ciof.1940.1
Cioffari, Vincenzo, The Conception of Fortune and Fate in the Works of Dante (Cambridge, Mass.: Dante Society of Cambridge, Mass., 1940).
Coga.1999.1
Cogan, Marc, The Design in the Wax: The Structure of the “Divine Comedy” and Its Meaning (Notre Dame: University of Notre Dame Press, 1999).
Conr.1981.1
Conrieri, Davide, “Letture del canto XXI dell’Inferno,” Giornale storico della letteratura italiana 158 (1981): 1–43.
Cont.1976.1
Contini, Gianfranco, Un’ idea di Dante (Turin: Einaudi, 1976).
Cont.1995.1
Contrada, Deborah, “Brunetto’s Sin: Ten Years of Criticism (1977–1986),” in Dante: Summa Medievalis, ed. C. Franco and L. Morgan (Stony Brook, N.Y.: Forum Italicum, 1995), pp. 192–207.
Corn.1989.1
Cornish, Alison, “The Epistle of James in Inferno 26,” Traditio 45 (1989–90): 367–79.
Cort.1990.1
Corti, Maria, “On the Metaphors of Sailing, Flight, and Tongues of Fire in the Episode of Ulysses (Inf. 26),” Stanford Italian Review 9 (1990): 33–47.
Crim.1993.1
Crimi, Erminia Maria Dispenza, “Cortesia” e “Valore” dalla tradizione a Dante (Rovito: Marra, 1993).
Croc.1921.1
Croce, Benedetto, La poesia di Dante, 2nd ed. (Bari: Laterza, 1921).
Curt.1948.1
Curtius, Ernst Robert, European Literature and the Latin Middle Ages, tr. W. R. Trask (New York: Harper & Row, 1963 [1948]).
Darb.1971.1
Darby Chapin, D. L., “IO and the Negative Apotheosis of Vanni Fucci,” Dante Studies 89 (1971): 19–31.
Davi.1957.1
Davis, Charles Till, Dante and the Idea of Rome (Oxford: Oxford University Press, 1957).
Davi.1967.1
Davis, Charles T., “Brunetto Latini and Dante,” Studi medievali 8 (1967): 421–50.
Davi.1998.1
Davis, Charles T., “Canto XIX: Simoniacs,” in Lectura Dantis: “Inferno,” ed. A. Mandelbaum, A. Oldcorn, C. Ross (Berkeley: University of California Press, 1998), pp. 262–74.
DeAn.1993.1
de Angelis, Violetta, “… e l’ultimo Lucano,” in Dante e la “bella scola” della poesia: Autorità e sfida poetica, ed. A. A. Iannucci (Ravenna: Longo, 1993), pp. 145–203.
Delc.1989.1
Delcorno, Carlo, Exemplum e letteratura tra medioevo e rinascimento (Bologna: Il Mulino, 1989).
DeRo.1981.1
De Robertis, Domenico, “In viaggio coi demòni (canto XXII dell’Inferno),” Studi Danteschi 53 (1981): 1–29.
DeSa.1949.1
De Sanctis, Francesco, Storia della letteratura italiana, 4th ed. (Bari: Laterza, 1949 [1870]).
DeSa.1967.1
De Sanctis, Francesco, “L’Ugolino di Dante,” in his Opere, vol. 5 (Turin: Einaudi, 1967 [1869]), pp. 681–704.
Desp.1952.1
Desport, Marie, L’Incantation virgilienne: Virgile et Orphée (Bordeaux: Delmas, 1952).
DiSc.1995.1
Di Scipio, Giuseppe, The Presence of Pauline Thought in the Works of Dante (Lewiston, N.Y.: The Edwin Mellen Press, 1995).
Domb.1970.1
Dombrowski, Robert, “The Grain of Hell: A Note on Retribution in Inferno VI,” Dante Studies 88 (1970): 103–8.
Donn.1973.1
Donno, Daniel J., “Dante’s Ulysses and Virgil’s Prohibition,” Italica 50 (1973): 26–37.
Dovi.1926.1
D’Ovidio, Francesco, “Esposizione del canto XX dell’Inferno,” in his Nuovo volume di studi danteschi (Caserta-Rome: A. P. E., 1926), pp. 313–55.
Dozo.1991.1
Dozon, Marthe, Mythe et symbole dans La divine comédie (Florence: Olschki, 1991).
Dron.1975.1
Dronke, Peter, “Francesca and Héloise,” Comparative Literature 27 (1975): 113–35.
Dron.1986.1
Dronke, Peter, “The Giants in Hell,” in his Dante and Medieval Latin Traditions (Cambridge: Cambridge University Press, 1986), pp. 32–54.
Dron.1989.1
Dronke, Peter, “Symbolism and Structure in Paradiso 30,” Romance Philology 43 (1989): 29–48.
Durl.1981.1
Durling, Robert, “Deceit and Digestion in the Belly of Hell,” in Allegory and Representation: Selected Papers from the English Institute, 1979–80, ed. Stephen A. Greenblatt (Baltimore: The Johns Hopkins University Press, 1981), pp. 61–93.
Durl.1981.2
Durling, Robert M., “Farinata and the Body of Christ,” Stanford Italian Review 2 (1981): 5–35.
Durl.1990.1
Durling, Robert M., and Ronald L. Martinez, Time and the Crystal: Studies in Dante’s “Rime petrose” (Berkeley: University of California Press, 1990).
Durl.1996.1
Durling, Robert M., The “Divine Comedy” of Dante Alighieri, Notes by R. M. Durling and Ronald Martinez (New York and Oxford: Oxford University Press, 1996).
Econ.1976.1
Economou, George D., “The Pastoral Simile of Inferno XXIV and the Unquiet Heart of the Christian Pilgrim,” Speculum 51 (1976): 637–46.
ED
Enciclopedia dantesca, 6 vols. (Rome: Istituto della Enciclopedia Italiana, 1970–78).
Fabb.1910.1
Fabbri, Fabio, “Le invocazioni nella Divina Commedia,” Giornale dantesco 18 (1910): 186–92.
Feng.1981.1
Fengler, Christie K., and William A. Stephany, “The Capuan Gate and Pier della Vigna,” Dante Studies 99 (1981): 145–57.
Ferr.1935.1
Ferretti, Giovanni, I due tempi della composizione della “Divina Commedia” (Bari: Laterza, 1935).
Ferr.1969.1
Ferrante, Joan, “The Relation of Speech to Sin in the Inferno,” Dante Studies 87 (1969): 33–46.
Ferr.1971.1
Ferrucci, Franco, “Comedía,” Yearbook of Italian Studies 1 (1971): 29–52.
Ferr.1984.1
Ferrante, Joan, The Political Vision of the “Divine Comedy” (Princeton: Princeton University Press, 1984).
Ferr.1993.1
Ferrante, Joan, “A Poetics of Chaos and Harmony,” in The Cambridge Companion to Dante, ed. R. Jacoff (Cambridge: Cambridge University Press, 1993), pp. 153–71.
Ferr.1994.1
Ferretti Cuomo, Luisa, Anatomia di un’immagine (“Inferno” 2.127–132): saggio di lessicologia e di semantica strutturale (New York: Peter Lang, 1994).
Ferr.1995.1
Ferretti Cuomo, Luisa, “La polisemia delle similitudini nella Divina Commedia. Eliseo: un caso esemplare,” Strumenti critici 10 n.s. (1995): 105–42.
Filo.1911.1
Filomusi Guelfi, Lorenzo, Nuovi studi su Dante (Città di Castello: Lapi, 1911), pp. 185–95.
Fort.1961.1
Forti, Fiorenzo, “Il limbo dantesco e i megalopsichoi dell’Etica nicomachea,” Giornale storico della letteratura italiana 138 (1961): 329–64.
Fort.1986.1
Forti, Carla, “Nascita dell’Inferno o nascita del Purgatorio: nota sulla caduta del Lucifero dantesco,” Rivista di letteratura italiana 4 (1986): 241–60.
Fost.1969.1
Foster, Kenelm, “The Canto of the Damned Popes: Inferno XIX,” Dante Studies 87 (1969): 47–68.
Fran.1982.1
Frankel, Margherita, “Biblical Figurations in Dante’s Reading of the Aeneid,” Dante Studies 100 (1982): 13–23.
Fran.1984.1
Frankel, Margherita, “Dante’s Anti-Virgilian villanello,” Dante Studies 102 (1984): 81–109.
Fran.1986.1
Frankel, Margherita, “The Context of Dante’s Ulysses: the Similes in Inferno XXVI,” Dante Studies 104 (1986): 25–42.
Frec.1961.1
Freccero, John, “Satan’s Fall and the Quaestio de aqua et terra,” Italica 38 (1961): 99–115.
Frec.1986.1
Freccero, John, Dante: The Poetics of Conversion, ed. Rachel Jacoff (Cambridge: Harvard University Press, 1986).
Fren.1964.1
French, Reginald, “Simony and Pentecost,” Annual Report of the Dante Society 82 (1964): 3–17.
Fron.1998.1
Frongia, Eugenio N., “Canto III: The Gate of Hell,” in Lectura Dantis: “Inferno” (Berkeley, Los Angeles: University of California Press, 1998), pp. 36–49.
Fubi.1966.1
Fubini, Mario, “Il peccato d’Ulisse” and “Il canto XXVI dell’Inferno,” in his Il peccato d’Ulisse e altri scritti danteschi (Milan: Ricciardi, 1966), pp. 1–76.
Fubi.1967.1
Fubini, Mario, “Inferno: canto XXVIII,” in Lectura Dantis Scaligera, dir. Mario Marcazzan (Florence: Le Monnier, 1967 [1962]), pp. 999–1021.
Gabr.1993.1
Gabriele, Trifon, Annotationi nel Dante fatte con M. Trifon Gabriele in Bassano, ed. Lino Pertile (Bologna: Commissione per i testi di lingua, 1993 [1525–27]).
Gagl.1994.1
Gagliardi, Antonio, La tragedia intellettuale di Dante: Il “Convivio” (Catanzaro: Pullano, 1994).
Gent.1997.1
Gentili, Sonia, “ ‘Ut canes infernales’: Cerbero e le Arpie in Dante,” in I “monstra” nell’ “Inferno” dantesco: tradizione e simbologie (Spoleto: Centro italiano di studi sull’alto medioevo, 1997), pp. 177–203.
Gian.1999.1
Giannini, Stefano, “Post-1300 Time-References in Dante’s Inferno,” unpublished paper prepared at Johns Hopkins University, 7 June 1999.
Gizz.1974.1
Gizzi, Corrado, L’astronomia nel poema sacro (Naples: Loffredo, 1974).
Gmel. 1951.1
Gmelin, Hermann, “Die Anrede an den Leser in der Götthchen Komödie,” Deutsches Dante-Jahrbuch 30 (1951): 130–40.
Gmel.1966.1
Gmelin, Hermann, Kommentar: die Hölle (Stuttgart: Klett, 1966).
Gorn.1995.1
Gorni, Guglielmo, Dante nella selva: il primo canto della “Commedia” (Parma: Pratiche, 1995).
Gorn.1996.1
Gorni, Guglielmo, “ ‘Se quella con ch’io parlo non si secca’ (Inferno XXXII 139),” in Operosa parva per Gianni Antonini, ed D. De Robertis & F. Gavazzeni (Verona: Valdonega, 1996), pp. 41–46.
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