CHAPTER II
CHAPTER II
THE TEXT OF BRITISH MUSEUM MANUSCRIPT ADD.
17,126 A.
THE PROVENANCE AND CONDITION
OF THE TEXT
British Museum Manuscript Add.
17,126 is unique; that is to say that, as far as it can be ascertained, its contents are not duplicated in whole or in part in any other manuscript.?7°
It consists of fourteen fragments, thirty-eight folios in all, most of which are related to each other in style of handwriting, quality of vellum, and literary style and content.
The colophon of the concluding fragment tells us that "it was written in the city of Mabbug in the year 822 of Alexander of Macedon"
(i.e., A.D.
511).
Thus, it comes from the lifetime of its author, Philoxenus, and there is no reason to doubt that all the fragments were originally composed by him.
The story of its preservation and travels during the last fourteen and a half centuries is not known except for the following facts.
Between A.D.
927 and 932, the abbot of the Syrian monastery of St. Mary Deipara in the Nitrian Desert of Egypt, Moses of Nisibis by name, made an extended visit to Syria and Mesopotamia in which he collected some two hundred and fifty volumes for his monastery library.744
It is assumed that the manuscript before us belonged to Moses the Nisibene's collection.
Certainly, it was in the possession of the monks in that monastery in the nineteenth century when it was purchased from them (along with many others) by Auguste Pacho on July 31, 1847, who acted as agent for the British : »
It thus became the property of the British Museum on November 11, 1847, and has been preserved there ever since.
What the precise condition of this document was when acquired by the British Museum is not recorded.
We are dependent on W. Cureton for the general description of the Pacho manuscripts when the cases containing them were first opened:
The day after their arrival I went to inspect them.
At the first view I could almost have imagined that
the same portion of the library as had been brought nearly five years previously by Dr. Tattam was again before me in the same condition as I found it when the books were first taken from their cases in which they had been packed, as if the volumes had been stripped by magic of their russia, and clad in their original wooden binding; and the loose leaves and fragments, which had cost me many a toilsome day to collect and arrange, had been again torn asunder, and scattered in almost endless confusion.
Since Ms.
Add.
17,126 was apparently one of the manuscripts which had to be bound in the British Museum, and some of its papers have obviously been repaired there, it is reasonable to assume that its folios were among those "loose leaves and fragments .
. scattered in almost endless confusion."74/ The thirty-eight vellum folios of the manuscript contain fourteen fragments.
For convenience, we have numbered them as follows:
Fragment 1 = folios 1-2 Fragment 2 = folios 3-10 Fragment 3 = folio 11 Fragment 4 = folio 12 Fragment 5 = folio 13 Fragment 6 = folio 14 Fragment 7 = folio 15 Fragment 8 = folio 16 Fragment 9 = folios 17-18 Fragment 10 = folios 19-29 Fragment 11 = folio 30 Fragment 12 = folio 31 Fragment 13 = folio 32 Fragment 14 = folios 33-38 Fragments 2, 3 and 10 (except for its last folio [29] which is stained) are in an excellent state of preservation.
Fragments 4, 5, 7, 8, 11 and 12 are stained but legible.
The rest have stains and tears which make portions of them illegible (the lower eight or nine lines of Fragment 13 have been torn off and lost, and the last four folios of Fragment 14 are so badly stained that they could only be partially read under ultra-violet light).
There is clear evidence for the fact that those who gathered the fourteen fragments of our manuscript together were
uncertain about the order in which to bind them.
Indeed, they initially felt that some of the fragments should be bound with another manuscript.
In the upper left corner of the recto side of each folio, three sets of Arabic numerals appear, written in pencil by two different scholars responsible for arranging the fotaca ss"?
Two sets of figures in the same handwriting are stroked out, and a third set in a different hand represents the foliation of the codex as it was finally bound.
Additionally, a fourth set of Arabic numerals appears in tiny unobtrusive writing on a few pages, inserted between the first and second lines of Syriac script, about the space of four or five letters to the right of the left margin. **?
The first set of figures to be stroked out is found on sixteen folios.
Since this numbering runs from 61 to 77 and the present manuscript has thirty-eight folios, we may conclude that the first "arranger's" initial decision was to include some of the fragments with another manuscript
(as yet unidentified).
Thus, the foliation in this set. appears as follows: nos.
61-71 = folios 19-29 = Fragment 10
= folio
= Fragment 13 no.
= folio il = lst folio of Fragment
now
= folio
= lst folio of Fragment 14 NO, LO = folio
= 2nd folio of Fragment
no.
= folio
= 2nd folio of Fragment
The tiny numerals seem to have come next in the process of sorting the fragments, and occur in the following order: nos.
1-8 = folios 3-10 = Fragment
no.
="fobioqr
= Fragment 3 NO.
= folio
= Fragment
Nos ± ="fOoLio 9 3 = Fragment
10622 = folio
= Fragment
NOs ce 13 = £ 6116
= lst folio of Fragment
no.
="fO1l10""
= Fragment
now
= folio
= Fragment
= folio
= Fragment
The second set of "stroked-out" numerals represents the third stage in arranging the folios, and follows the present order except that the first two were made the last two; that is
-in this set, folios 1-36 are folios 3-38 in the present codex, and folios 37 and 38 are 1 and 2.
Perhaps the first three tentative foliations were done by W. Cureton, who resigned from the British Museum in 1850, and the final foliation by W. Wright, who began his work there in 1861 and
was responsible for compiling the Catalogue of Syrtae Manuscripts published in 10970
Syriac quire numbers are found at the foot of a few pages.
Folio 17v has a large well-marked beth and the next page (folio 18r) has an equally large gamal, apparently indicating that folio 17 concludes one quire and folio 18 begins the following one.
Fragment 10 contains a full clearly marked quire, because folio 19r has a heth (= "8") in the bottom right-hand corner written in the same script as the text, and 29r has a teth (= "9") of comparative size in the same position.
Thus, a quire in this fragment consists of ten folios.
Similarly, a yudh (= "10") appears in the bottom corner of folio 33r, the beginning of the last quire of the
° since the scripts of Fragments 10 and 14 original volume. are identical, we conclude that they were written by the same scribe and belong to the same original manuscript.
The quire numbers indicate that almost a complete quire is missing (that is, quire number teth except for folio 29) between Fragment 10 and Fragment 14.
The three single-folio fragments inserted by the British Museum may indeed be part of the missing quire for their handwriting is the same as that of Fragments 10 and 14.
Some fragments differ from others in their style of handwriting and size of margins.
Fragments 2 and 6-14 have the same kind of carefully formed Estrangela, and belong in some way together.
This is also borne out by the fact that the margins in these fragments invariably have the same dimensions.
The scribe drew a rectangle on the recto side of the folio approximately 6 5/8" x 4 1/8", then pin-pricked the corners to draw the same rectangle on the verso side.
He wrote on top of the upper horizontal line, maintained his vertical margins throughout the page, but did not feel compelled to stay within the lower horizontal line, often writing a line of text below it (in folio 28v he went three lines below it, perhaps because it was the last page of the quire and he was attempting to retain the contents of the quire he was copying).
The average number of lines to a page is twenty-seven.
While its script and margins are the same as the others in this group, the vellum of Fragment 6 is less well preserved than (and/or inferior to) that of the others.
Fragment 1 is in many ways similar, to the majority of the fragments described above, and no doubt came from the same scriptorium in Mabbug as they, but its scribe was not the same.
The horizontal lines of the margins are 1/8" shorter, the dimensions of the rectangle in both folios being approximately
6 5/8" x 4".
The letters in this fragment have the same general form as the others, but are subtly bolder and larger; the lamadhs and teths, for example, are longer, and the 'es and shins extend beyond the right margin.
It is unlikely that it belonged to the same original codex as the others, although without doubt it is a fragment of a Philoxenian work.
Fragments 3, 4 and 5 are noticeably different from the others.
They are written on an older or less well-preserved vellum, and the penmanship is more angular.
Wright noticed this and thought they might "belong to the missing portion of De Halleux, following Wright's suggestion, Add.
14 ; 633 .% 2 categorically states that these three fragments (which he treats as one) "proviennent du commentaire de Jean de 1'Add.
14,534, comme 1l'indique clairement le style de 1'écriture. "773
But this is not so for the following reasons:
1) The style of writing is not precisely the same as is found in Add.
14,534.
The latter sustains the same script throughout its 199 folios which is more angular than Fragments
3-5 of our manuscript.
Distinctive differences are seen in forms like he, final nun, pe, and taw.
2) While the size of the folios of both is about the same, the dimensions of the margins drawn by the scribes for each are noticeably different.
Each folio of Add.
14,534 has a lightly drawn rectangle (uniform throughout) measuring approximately
7%" x 4"; but each of our three fragments has a rectangle of about 6 9/16" x. 3.152782.
3) There is no apparent context for our fragments in Add.
14,534, apart from the unsubstantiated suggestion that they may belong to the missing introduction as noted above.
From this we must conclude that Fragments 3, 4 and 5 of Add.
17,126 are orphans, belonging neither to the manuscript they are bound with nor to Add.
14,534, though they are contemporary with both and all belong to the same scribal ` >"
Other minor features of the manuscript before us may be
summarized briefly.
Quotations are usually marked in the right margin with the sign /</ opposite each line in which words quoted occur; sometimes the arrowhead is in red and its dot black, and sometimes they are both black.
The punctuation mark that ends a "paragraph"
/.-- w--/ occurs usually in red and black, but once in red and silver (folio 1:7-( ܝ Erasures are in evidence in folios ,ܦܟ 9v, 10r, 12v, 14r, 24v, 26v, 27r, and 28r.
The meaning of the following signs in the right or left margins is not known: ܣ (folios 75, 23925 286 J/X/
(folio 13r), /4/ (like a beth turned on its side -- folio 23v), and Pai (folio 28v).
These have all been retained in the edited text of this dissertation.
Not included are the various attempts at foliation described above; three English notes on quotations, "Luke II 40"
(folio 15v), "Luke II 42"
(folio 17r), and "Luke III 23"
(folio 15v); and the word "End" written lightly (and enigmatically) between lines 6 and 7 of folio 34r, above and to the right of the word ML.
THE RESTORATION
OF THE TEXT
That many of the folios of our manuscript are ina deplorable condition has already been deseribea.7>®
In this edition the text has been restored as much as possible without unnecessary editorial additions.
Corrections and comments will be found in the next chapter.
Only the following additions have been made to it:
1) folio numbers at the top of each page and line numbers in the left margin for easy reference; 2) square brackets [ ] indicating a lacuna in the text caused by irremediable damage} 2" and 3) words and/or letters within the square brackets suggested by the context and proposed by the present editor.
Apart from these additions, the text stands uncorrected.
To restore the text, a photostat copy of the manuscript was xeroxed.
Three typical pages (folios 2r, 22r and 38v) of the resulting, unrestored, xerox copy are found in Appendix B, and a comparison of them with the final edited text will illustrate the method of restoration.
Folio 22r is an example of a clean page whose blemishes were removed and faded letters
"touched-up" with black ink, care being taken not to eliminate
diacritical points.
Folio 2r required more "touching-up" and its last five lines were rewritten by the editor.
Under ordinary light, much of folio 38v is illegible in the Manuscript.
The restored text in the editor's handwriting is his reading of the page under ultra-violet light.
Folios 35 to 38 had to be read and reproduced in this way.
Many doubtful or illegible words in the stained folios of the Manuscript were clarified by the use of ultra-violet light, and where these readings are unambiguous they appear in this edition unmarked.
The text of British Museum Manuscript Add.
17,126 as thus restored is reproduced in the pages that follow.
C. THE RESTORED TEXT
(REPRODUCED)
Folio lr rc. ܀ ܐܢܩܒܘܫܒܘ ܘܠܕ ܝܕܘܚܠܒ ܥܫ . . ܒܫܝ ܠܥ ܂ܐܳܢܳܠܟ ̈ܘܘܡܠ ܙܒܘܒܫܢ Esse < ܼܳܕܸܗ ܗܠܝܕ ܐ ܢܘܥܡܫܠܗܕܗܥ A
] 7 [
Ke J AB
7 SE ( ) ܙܝ ܙ ܙܘ) ܙܬ17 panic .47/26
ae anes ܡܣܡ ܗܐܫܝܪܒ ~ ܐܘ ܢܠ ܒ ܨܡܕܘܚܠܒ ܘܠ On ress =2 ܐܠܦ Ore waa ares IAN ܐܝ ̈ܡܒ <<4 ܐܗܓܢܕ ܢ oc ܗܒ ܗܕ ܫ ܘwt ܠ ܐܠܕ ate nr ܝܓ ܕ
Folio 2r ܡܡܘ ܡ :ܐܕܬܫܢܘܩܢܝܚܬܢ ܐܵܠܛܲܕܐܒ ܢܨ ܠܟܿܐܬܢ ܐܠܘ. ܐܬܘܝܝܢne ܢܐ ܒܝܬܟ ܗܬܘܠ ܠܠܡܬܐܕ ܬܒܩ ܠܗܘܢcae ܗܬܘܒܒܫܒ ܒܬܢ ܐܠܕ Pie ape ae a woe 184 ܠܝܐ ܠܒܝܬܐ ܬܫܝ ܢܫܡ ere eee ms Le 2݈ ܗ ܗܩܿܦܐܕܖܝܡ
Asmat pt SRST 3 ܳ ܕܠ ܐSeen: ܢܝܐܩ ܪܡwaxes ܠܒܘ ܗܕgp 8 ܝ eon rag ae LS ܐܢܒܘ . ees: "- ܐܕܗ ܐܟ ̇ܕܐܒ ܢܝ ais 629 ܗܠ ܘܠܝܬܐaia ܠܨ ܣ ܒܘ ܐ Nora mina mare ܦܟܘ ܗܠ ܡ ee, ܐܡ '
Folio 2v
"RUS & a ݂ܳܕ݂ܓܠ ܘ ܐwove ܐܘܗ ܗܠee ee .ܼܐܫܦܢvoneraM sa neds ܢܡ ܐܘ carta.
Aas ae erie ܐܒܛ ܐܝܥܕ oho, caster"
ܘܗ ܝܒ3 ܐܒ ܬܐܠ hee ܙܝ ܗ wa': red Seok i ees AS ܼܰܕܘ ܗܢܡܝܡ ܢܝܺܠܝܐ wt ܬܫܝ ܡ ܀ ܀ ܀ ܀ ܘ ܀ ܬ ܀ ܬ¢
Folio 3v ܐܕܗܕ܀ܗܘܒܙܐܼܒܕܪܐܢܝܒ ܗܡwZas ܢܡ ܪܝܬܝwlnien ܗܬܘܠ ܪܡܐ: ܬܘܡܢ 0 ܐܐܘܗܢܝܠܝܕܝܢܝܒ ܗܠܝ a < ܀ dam a Se eee
Folio 4r we ܥ ܗܢܘ ܠܡܝ : cee ܐܬܒ ̈ܪܘܪ Seer ܢܡ ܕ ܐܒܨܗܒܝܗܢܬܐܐܝܢܝ݂ܟܕ3 mag ܐܣܢܪܘܠ ܡܝܟܚܕܘ
ܒ ܐܡܠ ܟܐܐܫܒܘܒܕnods ܨ ܢܝܪܖܡܐܳܕ ܟܝ ܙܐ ܐܢܘܝܕܕܐܬܘܡ° .ܢܢܚܘܽܫ ܕ ܥ ܢܐܐܠܐܐܙܚܫܢ݀ܐ ܢܝܼܘܥܘܫܝܒeS ܿܗܕܢܠܒܼܘ ܐܘܗ ܐܚ ܙܗܘܫܢܢܘ ܙܗܘܢܩ ̈ܢܘwis ܗܧܠܚ ̈ܘܫܡܥܗܬܡܘܩܘܕܘ ̈ܗ ܢܝܩܒܬܒ .ܬܘܗ oat ܐܐܝܕܿܘܗܢܕ ett
ܐܬ ܗܕܝܙܐܐܒ.ܼܕܬܟܬ ܐܕ ܝܺܢܰܡܠ . ܐܫܢܐ ܧܢܲܪܒܐܘܗ ܪܝܓ ܐܕܗ ܠܡ ܝ sags ܝ TSSS hedaman ܛܐ ܨܗ ܕܠܬܐܘ.ܗܬܘܢܚܘܕܠܢܦܠܚܫܢܕ ܒܠ ܐܣܘܡܢ ܪܛܢܘwaists, ܢܕ 2 . ܝܒܪܬܐܶܘ
Folio 5r > ܙܝܢܘܢ ܢܐ Tete ܗܕܝܐܒ Veen ܘ ܗܢܒܪܖܘܠ ܐܠܕ ܘܗ ܐܡ ܐܬܟ ܘܢܡܝܗܘIAN ܗܬ sil a ܐܬܘܒܡܕܼܕSCS seam ܗ ܗܝܢ ܕܘ ܥܡܕܡO ܢ ܝ ܐܠ ܐܙܟ ܙܐܢܚܘܕ ܐ ܐܢܘܗܠ ܝܘܚܬܐ ܗܟ a ܬܝܙܚܕ ܀Meets ܐ Or WS ܟܝܕܐܐܟ.ܗܢܡ ݂ܳܬܵܢܫܰܒܰܕ ܝܗ ܐ AN ܐ ܗܢ : . ܐ € ܐܠܘ ds,
ܐ ܐ ̈ܪܘܫܝ ܠܥ san ܡ ܝܗ ܟܝܐܘ.ܣܘܡܕܐܗܕܖܝܐܒܘ ܐܐܬܘܗ ̈ܪܘܽܥ ܐܗܘ ܫ ܒܟ rE IS. ܚܘ݂ ܐhaa, aa Ba an ܐ BAA A ܧ ܘ .ܢܐܦܘܝ Haye ers sash" ܠܡܕ ܐܳܘܙܰܝܢ ܟܝܢܒ ܡܡ ܥܠܐ ܐܗ ܩ+ ܝܙܚܬܐ ܂ܐܟܢܳܪܚܐmia a5 PARENTS, ge ay NENA eo ܐܟܗ ܐܬܙܝܚ ܝܠܠܬܐܕ A"
ot eer ee: SES ec Seen ܐܘܗ
Folio 6r ܡܕܡܝܠ `xchassuaka ܐܛܢܡܘܪܬܣܐܡ ܘ .ܐ ܘܡܒ arcs wt As. oman ܟ݂ܽ ܐܳܠܘܐ SEN Sr ܼܐܘܗܘ ܢܒܘ ܢ .ܐܬ݂ܬܢܐ | sae Se = ܐܐܢ ܐܗܠܐ | ܡ ܪܡܕ ܐܗܠܐ ܬܠܝ ܕ
.20364 ܡ .ܐܗܠܐܕ ܘܬܢܐ ܢܘܦܢܦܠܘܝܕܐܝܙܚ _ ܡܠ ܕܢܐ ܢܝܕܘܡܕ wx wrk" asad ae Oy, ܬܝܙܐ ̈ܪܝܲܕܫܝ209955 cuss. ̇ܥܠܙܐܪܪܬܫܢ ܘܬܡܝܚܠܐܠܙܐܐܝܐܶܕܠ ܗܬܘܢܡܫܠܨ mays , mer oor .
ܡܡ < a ones ae Moan sn meee Sees ea NE com>
Folio 7v 2 ܪܡܐ < ܟܒ .ܼܐܹܝܵܒܢܲܗܬܠܸܛܕ 'was wanda ANS ܨ105% cots cee ܝܗܘ ̈ܗܦܘܛ ܢܝ ̈ܡܫܿܕܬܡܘ= Sar RSS, ܡܕܡܘܪܪ݀ܙܐ ` As Senor men ae Snore ܒ݁ܺ ܐܳܙܪܐ aC") en ace ܗ ܨ ܟ ܢܘܟܘܒܐ^ SAN, | + NO ܐܵܙܼܝܢܿܘܝܡܘܝ sin ܀ ܝ ܝܓ ܢܐܫܝܕܙܘܐܝ ̈ܒܢ ܐܳܐ ̈ܓܣܣ ܀ ܢܘܣܢܐ ܘ ܢܘܬܢܐ enone SES
݂ܳܕܢܰܫܡ ̣ܘ ܒܕ ܐ ܢܡܘnae ܼܢܝܙ ̈ܘܕܟܡܘ .ܐܢܳܝܪܘܙܐܵܫܝ ̈ܪܡܕܫܒ2 . ܟܲܝܢܘܦܩ ܐܠܼܕ ܐܬܕܝܢ ܢ ܢܬܐ ܗܒ
ܢܒ ܐ ܢܶ ܡ9 ܗ ܗܝ ܇ ܒܥ ܕܟܡ ܐܟܡܒܕ ents Waren Keo te <a ܐa ܠ ܐܕ ܐܫܝ ܠܐܥܘ ̇ ܐܟܝܐܐܢ ̈ܪܬܲܨܕܝܚܐܕܟ
ܢܓܡ < Cities ܨvan ASV x ܳ .ܗܬܕܠܝܐܟ ܐ ܐaches aS ܢܘܗ ܪܐܢܟܝܐܘ. ܛܒܬܐ ܬܣܝܐܢܚܘܪ ܦܐ" ܨ
Folio 8v ee Vena ܐܝܙܚܬܡ݀ܐ ̈ܪܖܐ oer oe ܠܐܘ © ܝܗܘܬܝܙܐ ܘܥas ܨ " ܠܠܒܐBro ܢ es asa ܢ ܡ ܼܽܒ ܢܝܠ ܗ ܗܝܶܠܥܶܪܡܐ ܢ05 ܐܫ3 ܐ ܚܬܘ ܘܠܿܟ ܦܐܼܕ. ܐܬ ܐܕSie ܝ ܘܚܡܒ ܐܝܡܢ ܗܒ ܢܝܠܗ ܗܕܗ ܢܝܛܨܕnah hoes
» ܘܕܡ ̈ܺܟܡܕ ܗܕ ܥܫ ܐܐܝanes ae ܘܼܘܘ ܂ ܐܒ ̈ܫܩܚ ܠ ips | saree ܐܣ ܐܬܠܘܬܒ NS ܐܠܟ ܐܚܘܕ ; ܢܝܗܬܘܒܐܐ
ees ae Bay ieee ܝoe : 2 ܟܚܐܕSay: > ܢ ܘܐܠܐܙܡܰܕܬ <a ams toa ܗܕ x Sas ܡ ne ae cae As .ܿܢܥܡܕܘܡ ܐܟܘܗܕ ܙܐܝܝ݀ܡܘܕܪ ܠܥܝ VI EE ENE aa : nae ܕܟܘܪ ܐܬܠܡܕ ܡܐܫܢܺܠ ܢܨܪ
Folio 9r ܐܬܠܡ ܢܡܕ .ܼܐܟܗ ܐ ̈ܖܗܒܕ ܐܠܐ ܢܝܘ݀ܗ݂ܕܢܝܺܕ ܕܠ ܠܠܠ ̈ܪܐܡܚܠܕ ܐܳܕܲܗ ܕܟ <n st ݁ܘܶܕ ܗܒ ܕܐܙܪܙܐܒ ܢܒܘ .ܟܝܖܝ݀ܗܕ eer wontons ̇ ܚ ha ene | .ܢܝ ̈ܪܬܟܒܕ ܘܩܝܛ ̇ܘܗ.
Folio 9v ܗܪܒ ܠܥܢܐA ܕ 2 2-4
rat ܐܒܙܐ ܒܚܐ ܐܡܟ. ܗdn ܐܠܘ : ܢܢSe ܗܪܒ ݀ܬܝܿܡ ܐܢܟܝܐܕ 3 ܐܘܗ ܐ ̈ܪܒ ܫ Aes ܢܐܝܢ ane Ate ter sera ate i ܡܓ ܢܿܝܩܫܦܡܕ ܘܢܝ ܘܝܣܢܐܝܘ : ܪܡܐܘOban ܐܬܠܡ ܐ ̈ܘܗ ܐ ̈ܖܘܣܒ ܐܠܐ ܝ ̈ܢ ܘܕܕ ܿܢܐܘܒܗܣܢ ܐܫܢܕ ܶ̈ܪܘ݁ܒ .ܼܐܝܿܘܗ̇ ܘܦܠ ܪܝܺܪܰܫܰܝ ܘܠܘ ܐܘܗ ܐ ܪܐܢܡܝܗܡܕ ܝwok ܐܬܠܘܬܒܕ ܐܨܡܫܘܠ .ܬܕܠܝܘ ܝܛ PGE earn gerne ܢܐܢܡܝ ̈ܗ ܐܬܖܘܡܕܬ ܝܗ ܟܒܢܦܘ ܐ ܕ ܣܘܓ ܬܪܥܬܣܐܕSAK ݂ܬ݀ܢܛܒܕ ܝ݀ܗ ܐܠܘ ܠܕ ܢ : ܗܝܕ
Folio 10v = 8( 38 ܐܡܘSear, 0 19 ܢܝܚܡ ܐܘܗܢܕܙܒܕܙ ܕ = ܐܼܕܗܘ .ܗܠ ܐ݂ܕܠܝܕܝܗܠ vss ܘ ܐܝܠܝܐ ܢܘܗܠܟܕ ܝܗ .ܐܫܢ ̈ܪܒ ܬܝܙܐܐܡܕܫܒ± ܗ ܕܠܝܬܐ ܢܝܪܟܗܘܕܐܢܝܟܒ ܒ݂ܶ ܣ ܐܡܕ ܐܳܠܥܐ ܐ GS Mas ܦܐܝܕ =e fee wesc ܐܝܢܟܗ ces nena ܢܒܝ ere ܨ ܘܠ ܕ ܗܗ ܦܐ ܡܣ ÷Boe. eas oi ܀ ܕ ܐܘܗ ܥܡܒܘܙܕ ܿܗܢܟܪ ̈ܘܛܣܟܢ ܠܐܝܨܥ ܿܘܢܝ ܢ ܐ ܠܠ ܕܟܕ. ܪܡ ܐܢܢܘܟܬܘܠܕ < ܬܢܐ ܢܝܪܡܐ ܦܗܢܘܠܘܠ ܐ ܐܢ
Folio 10v 00 ° ܐܟܥܕܝܬܡlens >< ܬܠܝ SD | ܕܗܕa. isn ܘܗܝܕ Gia ܐܬܘܢܖܒܖܡܕܘ ̈ܗܝܪܘܫܝ ܠܥ As sah ta ܠܥ ܪܫܒܢܠܗ ܐܒܕ ܼ ܬܗܘܐ ܢ ܼ̈ܢܒܢܘܣ ܢ ܢܩܘܪܦܕܝܗܘܫܝܢܘ ܝܗܘ ܐ :
ܘsen
Rapes ܪܬ ܐܠܘ ܗ Ansan, See oe ̇ܗܝ0 axe ܐ
| ܢܠ ܡܒ ܘܠܟ ܢܠܒܬܬܡ | £ & &ܬ :§€ ce Si; eee aS st NIE mE NS ܣ ܐ ܕ2 :
Folio llr a <3 shake serra ܐܪܡܠ : ir" ܐ Acres ܐܫܢܫܶܘܠ ܐܫܝܕܡܢܒܕ oni.
ܼܘ ̣ܒܘܬܫܡܠ Seas Degen ܐܡܝ ̈ܪܡܕ ܠܟܬé ܐܪܒܕ ܐܡ ̈ܘCord nora ܼܐܚܢܘܒܕ ` ܐܬ ݀ܬܘܪܘܥܧܧܠ An' ܐܬܢ ܐܫܝܒܫܒ :
Folio llv ` ̇ܦܵܐܐܠܐ.ܗܠܢܘܽܟܺܒܬܐ ܐܕܩܬܡܕ ܡܡܐ ܬܝRAT Canal tas .ܐ ̈ܪܡ݂ܖܘܐܹܒܝܚܲܘܘ ܐܢܚܢܝܒܼܕܘܐܚܝܫܸܡܕ ܢܐ ~2 ܝܐ ܐܦܝ ̈ܦܠܬ ܐܛ ̈ܫܦ > << ܠܦܐ Se < ܢܠܗܕ ܐܟܪܫ . ae
"etnies ree ܝܗ ܒܬܟܕ Ts ܢ awe ܐܢܪܥܸܩܩ NAST ܕܪܒ ܠ1 13 ܐܢܡ ܐ ̈ܖܗܒ ܒܗܬܐ ܐܡܫܝ ܢܘܽܪܒܬ ̣ܘܕSn ܘܐ
WON cuss ܠܦ VS?
_ 4 ܠ ܝ ܡܠ ܐܳܬܝܫܶܒܒ ܝ ̈ܙܗܘܬܝܐran ܘܗܘ ܐܬܠܡ ܝܗܘܬܝܐore Reh chen Na aig َّ ܐܬܡ ܘܗ ܐܳܘܗ ܝܗ = e ܟܐܐ ܐܗܠܡܕSwarts ܘܐ
18:63)36: 12± — .ܝ݀ܐܬܝܢܬܢܲܕ ܐܵܝܨܡ Axess ܝܠܰܥ݁ܪܰܡܐ ܐ ܟܕ ܘܗaT". aes ܫ yes ls arse:
ܗܠ ܥܼܒܘܬܫܒܕ ܐ itor ܗܠ > ܘܗܡ ܢܡܝܗܢܕܒAS ܣܗ ܒܗܝܕ ܠ ܘ݀ܗ ܐܬܿܝܢ ܐܫܢܐܕܟRe aan ܐܪ݀ܗܘܥ ܐܳ ܗܠܼܒܘܐ « ܐܢܗܠAstros
ܝ ܡܬ ܐܘܗܢ | ܛSeog = < ܗ ܒ An "es ooh ages Ea Nese. ÷ ܠܓ ܒܬܝܐܘ <wa Sen SSeS Se une
: ܕ ܐ ee.
Sikes ܓ
Folio 12v
_ < er AO one A ܢܡ ON ܗܝܬܿܝܐ se
ees ݇ܐܫܢܐܶܪܒܕSSO PAE SS WI CO onde Sc ` ܘ݀ܗܠܐܒܘܛ ܒܨܡ ܐܳܘ ܘܗ SIT ܙܕܘ Wits ܝ ܙܡ ܘܐܬ ܙ ܐܢܗ ܕܗܗܼܘܬܝܐܬMAE
Folio 13r ܐܘܬܒܘ ܢܝ ܡ ܝ ܝܠܘܟܒܕ A care" ܦܐSea ܟܫܠܐ SAO ܝ{ܗ ܕܝ ܟJSS; ܐܳܠ0833 ܠ : vrs A eek, ܐܥ ̈ܒܬ < ܐ ܠ ܒ 20m ܗܫܦܢ ܙܟܝܙܐ ܕܪܘܡܕܬ Sate heer rss WENO ia ܤܟܐܢ ̈ܪܥܘܘܩ ܪܒܬܣܢܕ ܡ ܐܟܪܫܘܐܟ ̈ܐܠܡܠܢ ̱ܐܼܕ ܡTAs : san ܢ :ܐܢܝܢܘ ̈ܪ ܐ ܐܚܘܕ ܐܢܟܝܙܐ.ܢܘܗܒ8 ` 3 ܐܳܠܖ ܢܘܗܢܡ Sass = ܡܤ ܡ ܗܡܝ Gam ܢܘܝܢܟܫܢ
rons Se ane anor .
Folio I3v | ܐܝܗܘ ܐܬܡܘܫܘܐܢܐ ̈ܖܨܨGodin ܢ ܝܘܚܕ ܐܡܕech mn ܒ pa tak Gee ܪܒܼܣܐܐܬܡ ̈ܝܢܫܬ
: ܘܝ ܗܘܢܺܩܙܢܘܬ Ada nema wie' 6 ܦܐ ܠܥ $ In TAM) ܢܓܪܐ ae ܪ is ܨ ܒ23 ܐܬܠܡ ܘܠܕ ܝ ܐܩ .ܐܦܕܘܓܐܠܐ ܪܡܐܬܢܕop Soka eth
TAH Soa ves maa <a eR er
Folio 14r wags 0c SATS ܐܝܛ ̈ܝܢܕ nea words sy ns ܕܙܘܐܬ ̈ܫܦܢܕ ܐܡܘ ܐ ae ܐܟܝܙܐ ge = ܗ ܐܫܦ ܓ brea ett ܠ ܐܓae Soda ae:
Set he ܟ Cale ype ܐ ke a [ ܗܳܪ݂])݂ܬܘܽܠ ܕܼܳ ܐ ener ee J [9K ]tas ns ̈ܡ 7. ve A; ܐܟܥܝܦܝܐܐܘ a ܠܠܘ J xs0 ܰܵܠܝܫ ̈ܪܼܘܼܘ ܘܘܚܠܒ ܐܡܟ ܕܚ ܐ am ܡ ܳ ܐ .ܐܐܼܖܘܬܬܢ ܝ ܐܳܗܳܠܙܐܰܕ ܐ | ܒ0 wana —e ܫ ܙܝܘܗܕSoe
ܐܡ ܘܠܕ ܐܝܗܐ ܘܫ ܐ TS nal ia ܐܗܠܐܐ ̈ܕܡ ܬ ܳ ܐ ܢܝܕ ` ܓ ܐ = ܘ݀ܗ . ܗܪܕܟܒrad soe ܐܒܪ ܕܟܕ ܐܣKam
ܐܘܗ ̇ܗܒܘ ܠܟ ܠܥ ܦܨܐaces ܟܝܐܳܘܐܗܠܐܲܕ ܐܡܠ ܨ. ܘ nea Ns ݀ܗܠܙܐܕeatin ܢ ܪܡAxa .ܙܐܐܕܝMee '
Folze: 15x ܢܝܠܗܙ ܢܡܒܕ Soares ܐܠܐ ad < tN 5 ܘܐܒ ame a ray Yuasa ܠܥ ܝܗ ek ; ܐܘܗ ܇ܘ ̱ܗܠ ܢ ܠܛܨܸܡܕ ܐܥܝܕܰܝܘ facile ܐܠܵܒܕ works ܬ4 Faas oe era ܝܘܗ whan as AAA A areas ST ase Eee Oe Ses Sen eos wen ܬܝܕ ܢܗ ܐܠܘ ݂ ܪܰܒ ܘܪܕܗ ܪ— ܘ ܐܘܗ ܘܪ | whens ܐܗܐ ܐܬܬܘ eaten .ܐܫܒܡܘܒܼܕ
a9, PArAKS soiree rad paises ܬܘܗ
Folio 15v ܡܪܩ33 ܘܓ :
uate .ܐܳܘܗ ܢܨ ܢܡܕSats ܐܟܘ ܛܠ2 ܐ > eee ܢܡܘ ܕܐܪܚ ܐ ܪܚܐ ܙܗ ܡܥ ܐܬܡܘܩܕ1 OSES ܐܠܐ asin ܐܬܡܘܩܒ ܐܘܗ
Folio 16r ܢܡܕܗ ܐܝܢܬܠ ̈ܚܢ ܐܘܗܠܐܕ ܗܬܘܠܝܥܢܒܕܕ < ܕܐ ܫܕܝܢܒ ܬKU ܕܗ ܛ een ܡܗ ܫܘ ܬ .ܐܟܿܪܕܬܡ ܐܵܠܐܫܢܐܝܢ ̈ܒܘܐܬܘܢܬܠܝܚ PD ܐܠܘ mile ܡ ܐܥܕܝܬܡ
OAKES USES
` NOE SERS ܐܘܗ ܐܟܒܬܐܐܠܘ are epee ܘܒܡ fam ܐܒܪ ܨ : ܗܝܬܪܬܒ ah ܢܢܝܥܟܫܒܕ .ܡܗܝܒܪܬܕܐܙ ̈ܪܐܘܟܬܣܡܠ ܢܝܗܝܬܝ ܐܐܗܠܐܲܕܲܕ ܗܡ3 ܠ ܣܨAn ܐܐܫܢܙܐܪܒܕ wea
Folio lév .ܢܒܩܥܬܒ ܐܠܗ ܬܰܒܪܰܘܽܕ ܐ Sos hy a Lee 5 3 ܗܬܒܪܘܪܕ .ܗܡܝܪܘܥܕܙVAN ܪܘܥܙ ܢܝܢen ܕܨ ܿܘܡܼܘܬܕ .ܡܡܘܢܩܒ ܬܘܗܕܕeen ܐ ̈ܬܪܘܡܕ _ egae UT. Sa aap 5 1 ܝܐܠ ܐܝ ܐ ` ܐܠܐ ܢܩܫܦܬܢܕ
ܒ ܢܝܠܗ ÷ ܐܬܝܢ ܦܐܐܠܐܝܝܘ Sas vagy ܠ et 38 ÷ ܝܘ݀ܗܕܘ roe Coxe: ܥ ues ash nn mer ܓ ܢܡ ܢܗ ܒ Hae ̇
Folio 17r ܥ ܠܓ ܐܟܐܢܗܠ ܢܝܢܫܝܐܪ ܕ ܡ ܬܘ ܐܬܢܘܫܡ Za eps ̇ܐܬܘܦܬܘܫܠ ܐܗܠܐ wanes ܐܬܝܢܘܫܡܒ ܡ ܐܕܗܳܬܕܐܢܝܪܐܨܒThins ܘܫܝ ܝܡܘ ܘSST Ss are ܢܘܡܒܦܠܘܗܢ | ܐܐܪܙܐܠܕܘܥܢ4
soem wan SSS cee en, ese ont ܐܠܘܠ ܗܠܐ oar: me ܐܠܐ ܐܐܗ ̈ܟܬܝܡܕ Ee ct sa pepe ee . ܐܢܪܥܩܘܝܒ .
Folio 17v i ܐ ܗܒ]ܢܛܬܸܕ ite pace iS ܐܡܟܘ ° ܘܘܚܠܒ ܐܝܫܢܐ .ܼܫܐܬ])ܝܘܫܡ ܨ ܐܒܫܘܚܦܐ ̈ܘܠܥܠܟܘܢܝܫܢܫܝ ܐ ̈ܖܗܥܬܪܬܿ ܐܝܡ ܐܝܗܠ ̈ܙܐNoein ܢܪܡܫܢܘܐܫܢܪܒ
= Oui ܐ ̈ܬܡܟܚܕ ond ܢܝܪ ܟܝܐܰܕܐ݂ܕܝܐ.ܐܡܠܥ Sek fs 3 : ܓ ܘܪ im ll ܐ ܐܬܗ ܬ] ܢܡܘpn eee Abe xe ܐܬܡܘܩܒܕ erga ams AH ܡܒܘ ܐ Wa Seer a ܐ ̈ܪܸܒܘ݂ܕܸܕ wm ee ee me occ ܘܟܐܡܕ ܼܕܘܢܢܠܒܘܠ are ܝܗܘܬܝܐ of e Ais ܝܨ
Folio 18r Joan ܐܼܘܵܙܸܢܒܘ ronal Somer os oe
TRANS WASH
ews * Oeradurd ܙܐ Sams ܕܝܐܬܿܒܛ ܢܘܒܓܢܘ ܐܬ ̈ܫܝܒܢܘܠܘܢ ܐܟܗ ܬܦܠ ܐܢܚܠܒܕܐܡܠܥܕ ܐܥܢܝܢܥܝܢܘܦܠܝܚܢܘ ܝ ܬܘܖܘܥܙܘ ܐܬ ̈ܒܡܘܝ ܟܝܕܐܳܕܐܝܢ ̈ܫSA
ܐܬܡܘܫܒsre .ܡܝܐ ̈ܪܝܬܝ ܢܝܗܝܬܝܐܕ ܢܝܠܝܐas ܐ yas ܘܪܒܣܐܐܕ ܢܝ ̈ܫܢܐܢܝܕpar ܐܝܡܕܩ ܢܝܥ ̈ܧܝܐ ̈ܪܘܣܬܪܬܕ ܕܐܬܗ ܐܬܝܢܘܫܡܒܡܕ
ܙ݀ܗMNOS ܐܒܙܐ ܟܝܙܐܪܐܩܗܢܕ ܐܶܠܐS545 ܘ ܐܫܢܪܒܐܬܘܗܕ =e ܗܠܠ 'rasa DAMIAN vcs 3 hor; wos ܐܠܐܐ ܘܠܒ ܐܢܕ ̈ܝܢ݂ܕܝ ܬܘܠ .ܐܬܘܕܡܒWE Stores ܐܒܕ ܘܗ ܝܒܪܬܐ ܫܝܪܕܘVer
SA ܟܝܡܕܫܢ Syardcia ܗ ܢܐ ܢ ܐܕܙܝܖܡܐܘܢܡ ܐܫܢܪܒܘ ܐܗܠ ܗܕ ܡܒ ܘܗܕܡܐܠ eer any | a ܗܡܝܦܘܨܶܪܩ
Folio 19v .ܐܡܠܥܕܐܢܘܒܥܘ ܐܒܐ ܗܬ ̈ܘܬܝܐܝ ܨ ܝܗ ܘܬܝܙܐܺܝ5955 ܠܿܟaden Sas ܘܙܐ ܐܗܠܐCrm:
Folio 20v Seer: wenden nerd ܐܣܦܘܛܪܓ ܒܒ ܬܘܗ ܘܝܦܘܕsee ܐ ܐܬ ̈ܝܢܠܛscien ܟ ܐ ee ܝ ܘܥܘ ܗ | ܢܢܝܥܕܝܬܡ ܐܠ ܗܡܘܢܩ . ܘܙܐܫܝܪܘܕܙܗ ܫ ܝ ܐܐ ̈ܡܕܗ "ae coe ee
ܣܝ ܐܶܠ ܢܘܥܪܦܠ ܠܫܘ ܐ ̈ܪܒܕ ܐܝܢܘܥ ܠܝܪ ܕܟ ܐܫܘܡܕܝܒBean eae ete Pw ܕܫܒ ܠܪ ܗ ܢܝܪܟܘܒ
ܠܝܐ ̈ܪܣܝܐ REACT ܝ ܗܪܩܝܐܐܘܘܗeet aS ¦ ܢܨ ܐ ܐܦܠܡܕ.ܐܪܟܘܒܕܝ݀ܗ Segre ܪܐܙܡܘ .ܗܪܬܒhoes
POLO
ܕ ܢܝܠܒܩܬܡܘ ܠܝܪ ܣܝܐܙܡܦܢ Spa S ܢܡ ܗܬܝܒܠܓܝܪܘܫܝ ܨ ܐܝ ̈ܗܠܐܐܢܝܟܢܝܕܘܢܗ.ܐ ̈ܕܒ ܡ ܐܡܘܢܩܒܼܕܘܠܿܘANA arch ܫܝ ܐܘܗamid ,ܐܼܚܢܘܪܘ ܐܕܖܒܘ ܐܒܐ ܠܥܕ ܐܢܦܠܘܝ ܟܘܕܠܟܒܕvous ܗܠܬܫܡ :
"ous TSA.
?ܐ ? are
Folio 2lv « ܐ ܦܐ ܐܐܢܟܗܝܗܘܒܐܼܒ ܨ eae. ܪܝܓ ܐܬ݀ܘܝܡ ܐܠ ܪܝܓ why iS ܐܝܐܦ ݀ܬܘܗ ܐܡ ̈ܣܩܕ ܘ ܝܗ ̇ ܡ ܕܘ ܓ ܐܼܡܚ ̈ܪ ܠae ܒ a A an < = ܫܡ ܐ ܐܗܠܐܕ ܬܡܐ ܩ
—Lonissa amin 0:2 ea ܓ ܘBoece ܐܫܢܐܙܢܿܒ ܢܢ ̣ܝܕܠܝܬܡ ܳܰܪܥ = ܐage. vee ܐܢܪܥܘܣܒܘ oor ܐܝܢܒ Ant' <0095+ ݀ܣܝܦܡܘܕܙܐܬܝܼܕܘܡܥܡܕ ܐܝܣܙܝܡܕܙܒ ܗܘܗ ܘܬ ܢܝܡ ܐܒܐ ܢܒܫܝܚܬܡ ܐܝܗܠܙܐܕܐܢܝܟܕ :
ܬ e ܢܘ ܘܣܢܐ ܐܳܗܵܠܰܐܲܕcoin tank ܐܡܬܙܘܙ ܐܝܛܐ ܡܫܐ ܬ° ܢܝܘ ܙܐܟܪܗ ܩ ܕ ܘܫܡ ܗܝܕܘܘܫܝ $33 ܗܒ ܘܟܒܓ ܡܠar ܝAN \ e ܒ5 273 A sacs ܗܬܝܡ ̈ܪܬ ܡܕܪܫ ܢܡܕ ܕ ܟܢܘܢ ܀ ܀ ܀ ܦ ܡܶ ܫ :ya ܢ ܘܗܠܟ ܐܐܢܡ݀ܝ ܗܡ ܗܒܗܝܘܢܡܕ ܠܙܐܬܫܡ ܝ ܐܫܢܕܶܖܪܒ on
Folio 22v ܐܢܟܝܐܘ ܐܟܝܐ ̈ܨܡܘܕ ܐ ̈ܪܝܐ ܐܢܗ ܢܒܘܘܠQ. ܐܘܘܡܠܥܡ ܢܒܘ ܗܝܬܝܐܬܙܝ݀ܗܕ ܐܶܘ ̈ܝܠܘܽܛܝ ܝ OUTING ܤܗܕܘܒܘܩܥ nerd' wate sas .ܐܚܝܠܫܝae ܙ:ܐܫܢܪܒeuros ܢܐܝܢ .ܿܗܕܠܒܫܕܒos ܣܙ ܘܡ See oe TON ane EF ܫ ܘܗܬܘܡ ܢܘܗܬܡܝܩܘ aN ܫrae mer
ܟܒ ܢܘrac 39 ܘ ,ܢܠܗܒ ܝܗܢܬܐ ܐܬܠܡ ܐܗܠܐܕWN ܗܣܡܝܿܡ ܬܘܠܕ ܐܬܘܦܬ ܘܫܝmwas ܘ 9 ݂̈ܪܒܡ ܦܟܘ ܿܗܖܪܩܝܐܠܐܫܢܪܒ ܐܐ ܬܝܐܪܕ݀ܝܬܝ Cie ܕܝܗܒ ܗܠ ܢܕܥܟ ܕܠܝܬܐܘ ܡܫܓܬ ܐ ܐܳܠ݂ܦܐܼܟpoe ܪܐܟܠܘܡܕ .ܫܝܢ SO 3008 ܐܬ. ܗܠane ܐܫܢܪܒܕ3 ܡܫܒ wae ܐܐ ܬܕܝ ܙܐܢܡܕ ܘܐܝ ܗܘܝܕܘܢܘ ܗܕܝܥ ܐܢܝܐܕܕܗܘܝܒܬܦ .ܐܫܢܖܪܒܘ ܐܗܠܐ ܐܒܪܢܘܗܝ ̈ܖܕܟSienna SATS ܪܬ ܬܘܗ ܿܗܝܬܝܙܐܐܘܠܶܕܕ ܦܐܼܐܘܗ ܐܳܒܰܪ ܥܘܫܝܕ ens ee Stan ܢ ܐܘ ܇ ܐܡܠܐ. ܚܟܫܡ ܐܫܢܪܒ ܡܥܢ ܐܘ ܐܒܪܬܢ ܝܗܘܼܕܘܝܝܠܒ :
ܐ Q.<Sevrs ܕܐܫ ܕܒeaters݂ܰܐܡܳܕ ܦܐ ܐ ܐ wikis Sis ܼܢܝܠܗ ܢܢܝܘܘܡ ݀ܬܝܙܐܡܕܩ ܐܼܝܖܘܫܝ ܒ ܣܢܘܐܬܘܗܿܕAue ܼܐܫܼܢܐ ܢܢܝܡܝܗܣ ܢܝܕܝܗܘ ܝܗ .
cam essa ns' erat" ܟܝܐ ܐܡܠܐ Fass vhs ܬܝܐܝܠܥܕܐܳܕܗ ܒܝܬܟ ݀ܐܠܖ ܒܘܬܘ ܐܵܦܕܘܓ ܿܗܝܬܝܐ ܢܐܐܒܪ .ܐܘܗ ܐ .ܘܘܗܢܝܒܪܕ ܘܐ ܥܕܘ ܐܘWan "aperai AXA LS ܐܬܠܡ ܐܫܢܪܒܘ ܐܗܠܐ es ܘܘܣܕܗ ܐ ̈ܪܡܐܬܡܕ .ܐܬܒܕܟܘ ܕܝ
ASA San ake WO
Folio 23v cows os .
ܢܘܢܕܡܝܗܥܠ ܝ 395 ܐܘܗ ܐ ܘܟܐܐ ܘܫܝ ܐܠܕ ܢ ܢܝܕܝܗܘܕ ܢܝܢܢܫܚ ܐܢܪܝܐܘܐܢܪܚܐܘܥܠܢܘܢܿܗܕ ܗܘ ܝܟܘ ܬܠܡܒ ܝܗܒ ܐܗܠ ܀ܗܠܐܪ ܪween A avi"
Bacon tae tsar See ane ESA aims Nar wean se <
ܐ ܨ ݂ܶܕܡ ܦ ܘܗܕ ܐܕܗܡ ܐܳܫܢ LS Ar wh ܐܐܪܝܢܒ ܗܕܢܡܕ ܢܘܟܠܝܕ .ܐܬܝܥܪܬ | ܠ aide ce wen ܫ ܐܐܝܼܕܘܡܕ ܐܡܫܒܐܬܘܦܬܘܫܩ> ܕ ܝ ܢܘܗܬܬܡܐܝܡܕܐܠ sands ܐܬܘܠܝܒܢ SRE Mo Os ܫ ܗܬܡܪܘܕܠܐܫܢܪܒ ܐܳ݁ܕ ܐ ܐܪܕ ܐܣܠܡ ܐܡܠܐ ܗ Ne ܢܘ ܢܬܡܠܐ ܐܬܪܝ ܬܒ ܐܢܝܘܒ ܐܠ ܘܬܢܐ ܕܗ ܣܝܪܘܛܣܢܕ ܐܬܗܝܟܦte eee ean ܒܘܬܘ.
Folio 24r ide ܐܬܡܟܢܢܘܐܠܝܝܢܬܝܐܐܘܗܢܕ ܘܗ ܐܢܝܐܘairs ܗܬܡܟܝܢܘ ܗܠܝܝܢ ܘ eh ee ey ag ee we eer ee ee ܐܪ ܘ saa ܠܐ ܩ ܐܳܪܝܢ ܘܗܠ ܐܥ ners
Folio 24v oN gr ܐܠܐܐ i A 3 ~ |
ܐܳܘ ns DO a a tee ae ܳ ܐܒܝܐ ܐ ܕܝܚܬܐܗܬܝܕܒܒܘ Soe A a ao <A ܚ ܐܢܟܐ : ܐܘܗ ܐܡܒ݀ܗ ܕܟܐ
Folio 25r 345 ܐܬܝܕܘܗܡܟܡܒ ܢܝܘ ܡܗ ܐܘܗean ܐܗ ܪܬܒ ܕܡ ܐ ̈ܬܡܟܚ ܐܢܳܝܡ ܕܗܒithe acs fers :
ܗܘ ܡܡ ܐܠܘ ܙܐܟ ̈ܐܐܠܡ ܐܠ. ܥܝ ܕ ܐܬܟܫܝ ܢܐܫܢܲܘܒ ܥܒܝ ܗ a & ܘܬܢܐ ܢܝܠܟܬܘܡ ܪܓwebsoecia ܚways eerie ety rn a ܒܫ ܐ ܒ ܒܗܝܗܬܐܕ waren STD EL 4 ܝܗܘܠܐܫܝ݂ܕܟ ܗܕܩܠܘܘܩܕ ܕܐܓܪܥܒ eS ies ܐܙܐܓܠܡBRR ܠ spo eens ܘܐܕܐܢܒܙ hors" rot ܕܼܳ ܐܳܒܐ ܡܘܕ ܤ܀ ܀ ܬ ܬaA Ah Fa ܡSS casas Ses .ܢܝܠܗ ܘ ܢ ܘܘܗ ܠܬܡSY ܥܟ ܐܬܡܟܚܢ ow ܐܚܝܫܡܕܘܐܠܘܦܪܡܐ݀ܐܝܢܡܠ - ܝܗܘܬܝܐܘAs. ܐܗܠܐ: ܐܢܣܝ ܐܟܒܘ ܐaC ܐܐܥܟܒܡ ܟܗ?"
ܟ ®» ܢܐ ܐܢܒܝܕ ܘܫܝ ܟܝܢ ܢܘܗܠ ܘܘܗ orci : ܗܦ ܐܝܫܡ pease ONES ec ܐܒܐܢܡ ܠ ܐܪܝܟ ܐܐ ̈ܪܐ ܕܨܐܫܢܪܒ ܢܝܕ ܐܘܗ ~~
Folio 25v ALES ܒܚܘ les ܢܫܐܟ ܐܬܠܡ ܡܥ ܐNa eat ܢܝܠܗܕܒams ܪܡܐܬܐܕQAI ܣ = ܨ ܐܠܐ ܐܬܡܟܚܘ ܐܠܝܚ ܥ ܩܰܪ ܐ ܠ ܕܐܒܐܪ ܝ ܕܐܳܒܰܪ mere reefs ܟ < ܐ ܀ܗܬܡܟܕܕ ܐܳܣܢܶܪܘܠ ches ܘܠܘ .ܢܒܝܬܟܕ ܠܛܡSe An ܘܗ ܐܙܐܪܪܙܐ ܪܘܡ ܠܰܡ ܐ eles ` ܡ ܥ ݂ܟܟܘ ܐܬܥ݂ܒܡܝܙܐܒwalalaa ange ܗhao `< < ܨae. =ܗ ܐ ܗ ܐܦܝܩܙܕ ܡܠ ܐܬܠܡ ܐܠܠܡܬܒܕ ܐܠܕ ܀
Folio 26r ܐܦܠܝܩܙܘܐܡܫܒܘܝܗ ܐܬܘܝܛܫܝܐܝܺܒܐܠ ܀ ܟ ܐܥܝܕܝܐ ܐ ܘܢܪܒܙܡMO ~~ ܒ woh sien ܠܐ ܐܠ ܐܠܕ.
snake AA ܐܗܠܐܕ53
) ܕܘ ܘܚܚܠܒ ܐܕܗܒܘܢܘܗܢܐ ܆ ܠ ܐܬܡ ܘܐ ܕ ܐܢܝܟܖܐܘܟܛܠ ܐܐܡܕܚܝܠ Sits detniarces$5 SN ܐܬܬܢܐ ܗܠ ܐܠܕ3 ܗ ܕ݈ܐܳܕܗܕ ܀ ܥܝܟ Tein pea awakens wage ee ܐܒܫܩܘܝܢ = ܢܝܢܡܝܗܡܕܐܢܝܛܣ ̈ܖܟܘܗ ܢܡ rie
Folio 26v ܟܟܘ . ܗܠ ܐܢܪܥܘܣܣ ܗܕܠܝܝܢ ܕܟ .ܗܬܘܢܝܨܡܬܡܠ ܗܠ ܨܒܗܝ ܐܗܠܐ ܐܪܐ ܐܠܪܒܗܡܕ oe ?9
wae at Soa EEE a
Folio 27v MO ܢܝܢܘܫܒ arteries anos ܬܘܗ ܐܝܒܪܬܡ ܦܐ ܝܗ ܒܕ ܬܘܗ ܐܟܥܕܝܬܡ ܐܬܚܝܒ aes Soest ܠ .ܐܬܘܢܦܠܡ ܢܐܟ. ܐܬܕܗܕܬܘ ܐܬܘܬܐTES Santi crm. ܢ 33226»
Folio 28r ܐܡܝܠܚ ܐܢܝܒܨ ܢܡ .ܐܕܠܝܬܡܕ ܐܕܢܐ ܢܝܕܙ݀ܗ. ܢܠܝܕ ܗܠܐ ܢܝܬܪܬܘ ܐܫܦܢܕ ܢܡܝܗܢܕܐܗܠܐܕܐܬܒܗܘܡ ܐܬܕܚܐ ܬܥܩܗܕ ܢܢܝܒܨܕܢܟܿܖܕܬܡ ܐܠܕ ܢܝܠܝܐܒ227 03 ܐܩܦܘܢܒ ̈ܘܐܫܒܘܕܒ ܢܢܥ)ܠܒܫܒ ܐܬܝܢܚܘܪܒ ܢܝܼܘܫܠ ̇ܟܕܕ ̇ܗܝ $A, ee Ss ܢ ܿܐܬܘܝܟܪܠܕܐܢܝܐܬܝܐܺܘ ܐܳܝܚܺܠ ̈ܐܰܠܕ | ` ܒܡ ܐܐܝܢܘܗܕSie ܣܓ <<aer A ve.
953 =SS aswel wes NEN ܐܡܬ Moss KTS . 3.7
Syn. ܼܘܘܚܠܒ ܐܢܘܗܠܙܐܠܙܐ3 ܢܡ ܐܝܘ ܘܗܘ >urd ܐܠ ̇ܗܒܢܝܫܥ ̈ܕܡܕ ܢܝܠܝܐ܆ܐܳܘ ܐܒܒܠܬܡ 0 ܐܠܦܐܕ ܐܛܩܝܘܪܗ ora wee on ܐܐ NNN ܐܝ ܡܓ ܐܠܦܐ. ܐܬ ̈ܫܒ ܐܟܬܠܬܡܕ
Folio 28 ܦܙܐܕܐܠܙܐܢܝܫܪܕܡ ܒܫ ܐ45=< Sek Fy ܘ ܗar | ݂ܺܒܺܝ ܢܘܗܠ ܐܠܠܡܬܡܕ ܪܡܐ ܐ es ܐܝܠܓܬܡ eae ae ܐ ܠaan tt ween ܐ a Ee ܐܬܒܡܟܝܢ
݂ܰܒܢ ܐܗܠܐܕ ܗܬܥܕܝܒ ܢܘܫܪ ܠܡech' iia ne ܕ pee SE Cae pi Ar Awan ܐܫܢܙܐܪܒ ܢܒܟܪܡܕ KGa rer ܗܫܿܒܘܕܠ ܿܗܡܣܐܢܗ ܡܫܘ ܐܙܚܕܟܕ ܐܡܰܫܘܓܒ ܡ
Folio 29
Folio 30r ܐܒܘܗ ܘܒ ܕܐܝܡ ܪܒCiti ܠܝܹܕܐܡܠܨter even ܠܠ ` ܬܝܐ ̈ܖܪܝܬܝܐܬܝܕܘܡܫܟܡܒ ̈ܕ ae ܝ ܢܝܢܕ ܐܟܝܕܐ ܡܕ .ܐܗ ̈ܡܫܒ ܢܢܝܘܗ ܢܡ `0:03
ܐܝܢܪܠܠSan ܡܥܘ ܐܗܠܐܕ woth :ܐܬܝܕܘܡܥܳܡ ܢܡ ܐܘܗܕܘ݀ܗ ܢܘܗ ܖܘܚܕ2 ܐܡܕܥdna' ܢܘܢܐ ܢܝܡܕܩܐܡܚܝܪ ܐܬܡ ܘܣܡܘ ܐܬܬܝܢܡ ܐܠܝco Hw m7]
RE Ree horn Sasa ̈ܗܫܟܪܘ ܐܥ ܀ ܀ wR ܬ ܠ ܢܝܕTP eA. ܕܨܒ ܢܘܗܒ ܐܠܘ ܠܒܝܬܐ. ܐܢܒܙ ܘܗܒܕ ܢܘ
Folio' giz ܪܒܬܣܡ ܢܥܘܫܝܕ ܗ ܡܥ ܢܢܝܠܟܬܘܩܡ vas ܦܐ ܦܣܘ݀ܝܕܒKam ܝܗܘ ̈ܡܕܗܕ ܝܢ ̈ܒ ܘܘܗ ܢܝܺܪܒPN Divs ܡ ܢܡܝܩܐܳܣܘܢܶܕܒܣܡܒ ܐܬܝܝܕܘܡܥܟܡ ܐܬܘܢܖܒ ܘܡܒ ܒܘܬ ܗܪܬܒ ܢܡܘ ܐܫܢܐ ܢܘܗܠܢܘܗܕ ܝܗܒܗ ܕܐܪܢ ̈ܒ ܢܝܒܫܚ :
SAI ܝܗܘ ̈ܡܼܘܗ asa wurden ܐܬܡ ܒܘܬܘܐܗܠܐܕ ܢܝܪܒܬܡܡܕܐ َܖܡ ܡܕܐܝ ̈ܒ ܼܳܪܕܗܡ݂ܡ ܘܗ ܐ ܝܗܘ ܐ ܘܨܕ ܕܐܘܗܕ ܗsein ܦܠ. ܘܗ ܀ ܐܡ0 ܢܝܠܝܨܝ ܢܝܡܼܘ ܗܢܡ ܘܕܠܝܬܐܕ ܼܐܬܝܡܕܩܗ
ASK sa ܢ ܢܢܐan maak oes my Sd ܦܐܡܐܬ eaters ܢܝܬܙܐ ܛܗ ܡܬ ܐܦܠܚܘܫܠܘܐܬܕܘܠCA me are ܐܡܟܕ ܐܢܗ ܐܡܬܠ ܐܕܢܗ arcs ܘܢܝܢܢܬܬܡܕ oA ܗܦܟܬ ܠ ܕܟܕ ܝܗ ܐܬܝee) MA Sow :
Folio 3lv ݀ܠܡܬܫܐܬ ܨ ܘܢܗSees eat ܒ ܝܡSas ܳ ܘܝܒ ܐPITA ܢ ܒܫܢ ܐܠܒܘܝܒ5 ܐ ܪ hdc ܫܡ ܘDETR ܒܪܩ ܘ ܢܘܓܐ+ ܢܝܘ ܟܡܕܐܠ ܀NDOT aque eis ܦܠܚܕ ܐܝܕܘ ̈ܗܝܕ
ܘܙܒ ܢܡܘ ܘܘܗ ܢܝܒܝܫܝܚ ܐܐ ܘܢܳܪܒ ܗܡܒ ܐܫܢܝܢܒ ܡwn ܐ ̈ܪ ̈ܪܫܒ ries ܐܬܘܢܪܒܗܡܒܐܢܡܘܝ ܐܬܘܒܝܛ ܐܖܕܫܒܘWES
panne tes" aps ot ܬ ܢܒܘܬܘ .ܐܵܡܼܕܗ ܗܒ ܘܘܗܕܖܕܐܡܘܥܢܡܒ ܢܢܡ .ܒܬܟܬܬ ܡܗܡܐ ܬܐܠܕ ܟܝܐ ܬܝܐܳܝܢܖܚܐMan= ܐܝܕܿܘ݀ܗܝ ܬܘܠܕ $
ean.
2 ܝܪܡ ܘܫܢ 0 Sigs ange eee
Folio 32r ase Src ܐܡܕܗܘܗܠ+ ee HAS ܘ ܡ ܐ ̈ܣܪܟܢܡ Stes ܢܥܡ .ܐܫܢܐ݂ܫܒ boro ale oe ܢܝܬܝܐܝܡܥܨܢܚܘ ܢܢ NATIT <= :
be hese Sie Ane 5 ܐܒܝܐܠ <r Tee errs en Seti] ܐܳܡܠܢܠ ܐܗܠܐ ܬܘܠ aera J
Folio 325 shou <4 ren Aer ete ܢܘ moles ܬܒܕ ܘܒܐ a So < ܐܠܬ ܓܡara eases
SATCAGA Q0IN
acon It ܐܒܘܗ ܐ > ܫ ܪܒ ܗ3 ¢ tne ie 2 ܡܡ Nae ܐܕܗ ܐܗܠ ܕ ܚ ܡܨ ܢܘܗܠ ܒܠwats ܕ ܐܠܐ ܒ ܡpa Da eat ܕ a Fulop an Ppa eee,
Folio 33r ܬܙܪܟܬܐ ee ܕܟܘ , .ܐܚܘ ̈ܪܖ ̣ܘܘܐܒ ܐܕ ܐܬܘܕܗܣ 8053 ܘܢܡܕܘܙܐܢܒܼܘܠ003 va ܝܒ ܝܠܠ ܐܒܝܒܚܝܪܒܘܢܗܕ ܗܠ ܦܩܡ .ܐܬܘܼܕܗ ܘ oes ` eas ܗܡܕ ner dns ܐܡܕ tive'
:ܗܘܠܥܕܗ ܣܐ ܬܢܝܢܘ ܡܘܐܒ ܗܬܠܝܒ ̇ܨ ܥܡܕܐ ܐܒܗܬܐ ܗ ܢ $3755 a> ܠ ee ܬܟ ܐ ܐܪܡܘ© ÷ ܗ230
ܝܗ ܐܕܗ ܡܥܧ: ܐܬܬNal Sines .ܗܘܩܦ ܝܗܘ0 ܬܝܒane einen jee a San TA: ܗܢܡ ܗ ܡܠܠ- ` ܐܬܘܡ ܐܠܟܐotis Soa a
ܗܠ Santo ܥܢ = WE a3 yo A ܗܒܝܚܙܒܡ iia ܡ xs ܦܬܐ ܢ ܐ ܪܥ Be .ܗܿܪܬܒ ܗ ܫ ܒܘ ܗܦ =ܒ ܠ ܪnaases ܘ :
ܚ8 .ܫܩܢܐܠܿܗܒܗܝSe ܐ 3205 ܗܡܫܒܐ ̈ܪܒܡܠܰܪ ܠ ܗܬܝܪܒܬܘܠܖܡܐܸܬܐܲܕܢܝܠܝܐܠܢܝܡܕܕ ama pata ܙܐܒܬܟ ܙܐ ̈ܝܘܗܕ$539 malas ܐܗܠܐܕܒܡܐܡܘܝܒ ܐܗܠܐ Sas ie ܘܢܘܕܐ ܪܒܥpaar a & aa 9 Ser pacha oss
Folio 34r ܐ ܪܩܝܐ ܗpare SL ser pits ܐܥܪܝܙܬܡ ܐܡܠܐ ܐܘܡvena sansa oles § ܡܫ ܠ ] ܕ ܐܗܘܐ ܡܡ ܠ ܐܗܠܐ7 ܠܢܒܡܕܐܠaA ae Sores
eee ܨ
Asean ܢܘܬܐ ܐܠܦ < oe ܓ ܢܠ OS. wasn.
Folio 34v :
܀ܘܬܫܡܕ ܐܡܘܢܡܒܠ ܐܠ ܝܫܢ Sus Sree ܢܝܕ ܢܢܝܠܥܟܗܣܡܘ ܢ ܕ a AY acs ae Rees cal > rue ܐܒܐܗܘܠܰܕ ܗܖܒܥ ܝܗܘܸܡܐܕ ܐܫܢܐܪܒܠ ܐܫܢܪܒܕ ܗܬܢ ̈ܖܒ ܬܘܠܕ ܗ site
ܐ݂ܕܠܘܡ ܬܘܠ ܦܐ ܐܠܐ ܢܝܢ ̈ܒܙ ܢܝܬ ̈ܪܬ ܬܝܫܒ .ܿܗܼܕܗܥܬܐܫܩܢܐܕܘ ܪܡܐܘ ܐܝܝ݀ܘܗܕ ܐܒܬܟ ܘܢܗ݀ܕ3 ܫܢܐ ܝܢ
<4> hantadasasoaca ase. ܗܬܕܠܘ ̈ܬܒ ܟܒ a.
Folio 35r ܘܒܥܢܕ ܝܗ42i6 ܕܒܥ ܐܬܒܩܢܘfight ܕܘܚܠܒ ܐܠܐ ܢ ܗܢ ܢܡܘ ܬܘܡܕ ܟܝܐܘ ܡܕܐ ܐܬܘܡܕܒ ݂ܬܶܪܡܐܺܕܟ݀ܬܐ ]ܐܗ ܼ̈ܪܠܐܰܬ[ ْ ܐܘܢܲܣܕܦܸܐܗܢܡ `Gaia: (ܬ ܥ1 ܫܒܝ [.er MA ܡܫ Ls ܕܒܥܢ `ae ~ ܟܝܐܰܘ ܕܬܘܥ ܢܘ ܒܡܕ 2a eee sem ܐܵܒܝܬܟܕ ܬܒ ܪ
ܐ ܐܨ ܕܒܥܕ ܐܠܘܨ ܙ ܨ ܐܳܝܡܕ ܢܝܕ ܐܠ ܐ݇ܕܬܘܥܕ aol ܨ ܒ8 ܐ ܐsa main [ ܐܠܘajoܹ ܟ = .ܕܐܒܥܸܢ ܢ ܬܢܘ
ܐܡܠܐ ܪܡܐܵܕ ܝܗaru ܕ ܐܘܗܕ ܒܝܬܟ ܐܬܬܠܡܕ ܗܒܡܥܘome & ܐܼܕܒܥ ܪܝܢܘܬܫܐ ܐܝܠܘ2 AR SK : ane ac .ܐܪܘܥܙ ܐܠܘ ܥܠܝܥܰܒܬܐ ܐܬܠܡ ܐܢܬܢܕgo ܡܕܡܘ݀ܗ ܐܙܚܬܢ
ܗܬܝܫܙܒ ܐܠܐon woe ama ܐܪܗܘܢos. ܐܠܕ ܡܕܡ ܐܠ mod ܿܗܬܘܟܐܘradia ܦܵܐ in ܐܒܝܬܟܕ M352 ܕ ve) ܐܗܠ ܐܝܡܫܠ ܀Brose: ܢ ܗܠ ܐܵܪܒܢܕ a aii Fe oc ܗܢܝܒܨ ܘܙܬܐ ܐܥ
Folio 35v ܐܝܪܘܫ ܐܠܕ ܐܬܝ ̈ܖܒ ܗܒ ܐܪܒܕ hae .ܘܬܕܒܥܬܐ ܐܝܪܘܫܒ ܐܬܝܪܒ ܝܗ ܗܠ ܪܝ ܒܢ3 rfioho Te Mes ܘܠܘ ܗܪܒܥܢܕSst, eae: ܝܗ ܸܪܒܟܕ ܐܠns ܪܝܨܬܬܢܕ < ܗܒa ܘܗܢܕ ܕܝܬܥܕ ܘ݀ܗ ܐܬܠܡܕ ܐܬܪܢܝܠ ܐܫܢܪܒisn 4hs era ܗܐ ܒܨܒ ܐܥܪܐܠܘ ܐܝܡ ܫܠ ܐܵܙܗܠܐ ܕܒܥܘ ܀nig ie ܒܘܬ ܀ ܐ ܪܡܐܕ ܒܝܬܟ
܀wel ܐܵܘ ܐܥܝܩܪܐgas ܐ ̈ܝܡܕ ܀Pie ܬܝܒ ܫܪܦ Kooܶܳܝܺܡܠ ܐ ܙܐܵܠܢܚܲܡ ܐܘܗܘVere ÷ ܡܡ ܪܚܘܬܫܐKIDS ܡ ܐ+ ܒܘܐܬܘ < ܢܘܫܢܟܬܢܕ ܿܖܡܐ ܢܝܠܗ ܇ܝܐܵܝܒܕ ahs U5 ܘ <VA ened kota ܟܘܦܘܗܢܘ ܐܵܪܝܗܢ ܀era Tain ܒ ܘܿܫܢܝܢܪܢܘ pace iso ܟܐܥܪܙܐ ܘ ܀ ܡ ܐܬܠܡܠ ܐܕܒܥ ܐܘܗ ܐܠ ܐ .ܐܗܠܐ݇ܕ ܐܳܢܕܩܘܦ Ki ܘܗܝܬܝܐ ܐܠ ܕ ̇ ܢܝ݈ܠܝܐܳܠ ܐܝ ̈ܖܡܕ ܀were 6 ܐ ܢܗܝܬܝܐindeed < ܕ ܕܒܥܢܕ ܝ݀ܗMere ܠܨ ܀ | ܟܢ ܥܘܓ ܢܬܘܡܕ ܡܫܟ grea Aca. msi ܠKil ܗܝܘܗܕ SS ade ܨܝܘrl ܪܡܐ ܗܕ ܙܐ. ܒܒܥܢܕ ܐܢܟܗ65 ܐܵܘܗ ܐܠܕ ܟܝܐ ܐܬܠܡ ܡ ܐܵܕܒܥrime x4
Folio 36r .ܐܘܗܢ ܬܪܡܐܕ ܐܬܠܡ ܐܠܘ in ܢܡ ܐܥܝܒܪܐgo ܐܢܟܗ ܗܝܢܬܡܕ ܐܢܕܩܘܦ ܐ ܕ ܪܒܐܕ0 ܘ4< 109 ܕܒܥܢܕVere ܐܳ [ܐܬܩܒ ar ܕܒܥܢܕ ܐܒܝܐ :
" :KLIS
® ܀ ܬA ܕ ܘܗ ܟܝܐ .ܐܫܢܪܒܠ ܐܬܒܕܩ ܿܗܝܬܝܐ ܢܝܕ ܐܠ ܰ ܝܿܖܒܬܐ ܐܵܒܵܛܫܘܢ[ ܐܠܕ ܐܵܢܟܗܕa voles: ܐܐܢ ܬ ̣ ܓ .
ܘCHRRAN a ܐܵܥܝܩ ܝ ܗ ܦܐaasph cama ܐܐܫܢ ܐܵܡܲܠ ܕ ܐܘ ܢܘܬܘܡܕ vers eat nibs < ܐ ̈ܪܙܝܘܘܫܝ ܐܡܠܨܒܘ ܐܬܘܵܧܡܕܸܶܢܕ ܐܫܢܪܒ ܢܩܬܬܐ
aaa .ܐܬܬܝܐܕ ܐܢܩܘܬܒ ܦܸܐwon ܐ ̈ܪܟܕܕ ܒܬܟܕ ܪܬܒdap ܙܐܪܒ ܬܕܒܥܬܐ ܐܢܒܝܐܕ ܦܠܐ ܢܘܢܐ ܙܐܘܢܢ ane é ܝܡܪܐܳܕ ܐܳܝܳܪܡ ܐܗܠܐ ܐܡ ° ܡܕ ܕܘ ܒܣܢܘ ܀Ay
Se RET eS é ܗܹܦܠܢmnie Se ee Se ore 4 ܢܡ & ܕ ܝ ܦܝܗܘwin ܝܥ ܗܡ ܐܐshe ܐܝܝܐܒܘ ܘ ܆:ܥܕܘܙܐ ܐܳܢ ܙ4 ܙ5 ܝܗܒ ܢܕ ܐ ܡܬܝܪܒ ܠܥ8
Folio 37r < ܐܳܗܠܐ ܪܡܐܕ .ܐܪܝܠܒܕܘmid ܹܵܵܫܝܼܲܝܪܘ ܐܠܘܝܢܢܘ ܀ ܐܥܪܐܒ ܐ7 ܗ ܐܕܗ ܪܬܒܘ ܀Nash ܐ ܐ & ܵ ܟܢ ܐ ܢܗܝ Kamin ܐܫܢܢܪ ܗܠܟܘ ܀mans ܕܟܘ .ܝܗܘ ̈ܬܢܓܠ ܘܝܪܒܬܐ pap ܐܢܕܒܘܦܒܕ em ܐܠܡ ܬܝܢܬܬܐised ch ܘܗ er pe ܐ Sie ܒܝܬܟ ݂ ܪܡܐܕ ܒ
rises ܐܳܒ ܕ tie ene eg "LX ܐܝܬܘ PRE namo cham <ams ts uma ܐܵܒ ̈ܪܘܪ Sims ei ase & ܀ ܬaa ܕ ܣܦܘ ܢܢܝܢܢܟܫܡ ܐܢ ̈ܪܩܘܦܒ "ml ܕܟܕ .ܐܕ ̈ܒܥ war ܗܠ ܦܐܥ ܘܘܗ ܢܥܡ ܠ
OM ܐ݀ܘܗܕ ܥܕܘܡܘ ܕܟܘ ܐ ܪܡܐ݀ܕ ܡܕܡ ܢܢ ̈ܝܡܢܢܦܡ ܐܫܢܐ ܪܒܕ ܗܬܝܪܒ ܦܐ ܢܝܠܗ ܡܥ ܝ݀ܗܒܕ ܢܢܝܦܠܝpeat ܐܫܢܐܕܒܥܢ ܐܗܠܐ é 2 ܕ ܐܵܡܠܨ ܘ23 .0 wads «ca SS ܣ
Folio 38r
Folio 38v a ein anki cha ata ܐܠܓܬܡ | ܝܗ rabies bee im .20
ܐܫܝ ̈ܪܕ ܓܢ ܕ ܝ ܢܡ ܢܝܒܝܗܢܕ ܐܫܡܚܢel .ܐܛܘܠܓܢ ܘܐ ܝ ܘܨܚܝ ܟܗ ܢܝܚܡܝܐ ܝ ܚܨ ܡܠܫdha <- ܐܒܫܘܦܕ Teak Szaes .ܐܵܒܘܠ ܕܝܒܥܕ ܆ ܘܢܘܢܘܣܟܠܝܦܠ6 ܡܝܢ <A Sass .ܓܛܒܡܕ ܢܝܕ ܒܕ ܠܟܬܐ ܘܒܡܒܡ ܢܪܣܥܘ ܐܐܡܢܡܬ ܬܢܫܒ . ܐܬܢܝܕܡ ܡ ܣܘܪܕܢܣܢܠܐܕ ܬܪܬ
ܡ ܥgeri ans stag 32 1 ܐܠܕ ً ܕܘܝܢܐܢܘwads .ܬܝܐܩܝܿܖܗ ܠܡܥܕ ܥܘܫܝ ܐܝܢܝܫܡܠ ܐܝܢܢܒܘܫBae ܫܢܪܒܬܐܕeer ܀ ܀ Dik Ue pont ed ܚܪܐ ܐܢܛܠܫܐܗܠܐܠܛܚܐ ܟܛ
Rey Punt ܢ rs _ ܨܪ
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