written before 1372, is believed by the Benedictines of Wisques, the
Foundress of the Order, unspotted from the world. The first is the physical enclosure of the convent walls; the next the moral and volitional limitation of self-control. The third is 'the open door of the love of Christ,' which crowns man's affective powers, and leads to the fourth - total dedication of the will. The fifth and sixth represent the two great forms of the Contemplative Life as conceived by Ruysbroeck: the ecstatic and the deiform. The seventh admits to Abyss of Being itself: that 'dim silence' at the heart of which, as in the Seventh Habitation of St. Teresa's 'Interior Castle,' he will find himself alone with God. There the mystic union is consummated, and the Divine activity takes the place of the separate activity of man, in "a simple beatitude which transcends all sanctity and the practice of virtue, an Eternal Fruition which satisfies all hunger and thirst, all love and all craving, for God." Finally, he returns to the Active Life; and ends with a practical chapter on clothes, and a charming instruction, full of deep poetry, on the evening meditation which should close the day. 8. The Seven Degrees of the Ladder of Love. This book, which was written before 1372, is believed by the Benedictines of Wisques, the latest and most learned of Ruysbroeck's editors, to complete the trilogy of works addressed to Dame Margaret van Meerbeke. It traces the soul's ascent to the height of Divine love by way of the characteristic virtues of asceticism, under the well-known mediæval image of the 'ladder of perfection' or 'stairway of love' - a metaphor, originating in Jacob's Dream, which had already served St. Benedict, Richard of St. Victor, St. Bonaventura and many others as a useful diagram of the mystic way. Originality of form, however, is the last thing we should look for in Ruysbroeck's works. He pours his strange wine into any vessel that comes to hand. As often his most sublime or amazing utterances originate in commentaries upon some familiar text, or the deepest truths are hidden under the most grotesque similitudes; so this well-worn metaphor gives him the opportunity for some of his finest descriptions of the soul's movement to that transmutation in which all ardent spirits 'become as live coals in the fire of Infinite Love.' This book, in which the influence of St. Bernard is strongly marked, contains some beautiful passages on the mystic life considered as a 'heavenly song' of faithfulness and love, which "Christ