affects the mind more (other things being equal) when taken notice
2. Another thing observable concerning this kind of beauty, is, that it affects the mind more (other things being equal) when taken notice of in objects which are of considerable importance, than in little trivial matters. Thus, the symmetry of the parts of a human body, or countenance, affects the mind more than the beauty of a flower. So the beauty of the solar system, more than as great and as manifold an order and uniformity in a tree. And the proportions of the parts of a church, or a palace, more than the same proportions in some little slight compositions, made to please children.
3. Not only uniformity and proportion, &c. of different things, is requisite, in order to this inferior beauty; but also some relation or connexion of the things thus agreeing one with another. As the uniformity or likeness of a number of pillars, scattered hither and thither, does not constitute beauty, or at least by no means in an equal degree, as uniformity in pillars connected in the same building, in parts that have relation one to another. So, if we see things unlike, and very disproportioned, in distant places, which have no relation to each other, this excites no such idea of deformity, as disagreement, inequality, or disproportion in things related and connected; and the nearer the relation, and the stricter the connexion, so much the greater and more disgustful is the deformity, consisting in their disagreement.
4. This secondary kind of beauty, consisting in uniformity and proportion, not only takes place in material and external things, but also in things immaterial; and is, in very many things, plain and sensible in the latter, as well as the former. And when it is so, there is no reason why it should not be grateful to them that behold it, in these as well as the other, by virtue of the same sense, or the same determination of mind, to be gratified with uniformity and proportion. If uniformity and proportion be the things that affect and appear agreeable to this sense of beauty, then why should not uniformity and proportion affect the same sense in immaterial things as well as material, if there be equal capacity of discerning it in both?